Koichi goes to his death without despair, because he believes that justice will be done. He connects to the idea that what he represents cannot meaningfully be ‘erased’ at all: the heart of justice that defies the existence of Yoshikage Kira.
Like every other child who grew up in the late 90s and early 00s with their attention split between videogames and anime, the announcement of Arc System Works’ Dragon Ball FighterZ filled me with an exhilaration hard to describe to anyone beyond that particular milieu but instantly familiar to my peers.
“Why bats, Sir?” I was fifteen when Batman Begins came out in the summer of 2005. I remember leaning forward in my seat when Michael Caine’s Alfred asked Bruce Wayne this question. Yes, why bats? Growing up in the pop culture shadow of the Dark Knight, I’d never questioned his choice in costume. Batman was all about bats because his name was Batman. Right? On the screen, Christian Bale’s Bruce Wayne lifted his eyes from the batarang he was soldering. “Bats frighten me,” he replies. The words sent a shiver through me. Batman was afraid of bats. Batman was afraid.