Traces From the Man Who Sold the World By Diego Nicolás Argüello • July 10th, 2021 “In our struggle to survive the present, we push the future away,”
Traces Intermission: Too Late to Love you By Diego Nicolás Argüello • July 7th, 2021 Welcome Diego back with his haunting look at his own personal Museum of Dwellings.
Traces Marching On By Diego Nicolás Argüello • December 23rd, 2020 “I am the end. Do you understand? This world, and this tapestry, I would devour. It is my purpose.”
Traces Learning Tetris By Diego Nicolás Argüello • December 11th, 2020 2019 was the year I started learning Tetris.
Traces Ghost Stories By Diego Nicolás Argüello • October 23rd, 2020 In fact, you could consider it an anthology of sorts – one on my relationship with horror games, and on ghost stories. I’ll let you decide if they’re fictional or not.
Traces There’s No Youth Anymore By Diego Nicolás Argüello • September 28th, 2020 Deadly Class, the thrill of lying to your parents and the fading of freedom.
Traces The Ones Who Understand By Diego Nicolás Argüello • September 8th, 2020 “It turns out that no matter how much you’ve written in your lifetime, very few people will consider your work if it’s in a foreign language.”
Exploits Feature Hades By Diego Nicolás Argüello • September 1st, 2020 “Even though the gods have the power to grant him infinite strength, they choose to wield Zagreus as yet another pawn…”
We Hate Everyone: How Type O Negative Changed Music By Diego Nicolás Argüello • April 13th, 2018 Type O Negative didn’t care for anyone, something they were always implying in every song. Crying babies, torture machinery sounds, more moanings that I’ve ever heard in my entire life.
Savlonic: Viral to Hit By Diego Nicolás Argüello • March 11th, 2017 “I will always remember how Savlonic went from being a YouTube viral sensation to being an actual hit in the music industry.”
