The Secret Ingredient is Love By Jimmy Hollenbeck • November 25th, 2024 It isn’t just about filling her body and soul, it’s a declaration of love. How could she say no to that?
Interlinked Zoning Out By Phoenix Simms • November 8th, 2024 Being anywhere is better than trapped in the suburbs.
Maybe They Should Save Themselves: Maxxxine (2024) as Middle Finger By Orrin Grey • November 6th, 2024 I think that Maxxxine really believes that it has something to say in all those theme-heavy monologues
The Incredible Light Shining Through Holy Frit By Elijah Beahm • November 4th, 2024 Holy Frit is a story of creativity, courage, and learning fast on your feet.
Personal Items Work Best: Oddity (2024) By Orrin Grey • October 31st, 2024 Oddity is an extremely slow burn, though it keeps elements of eeriness and dread close at hand.
Feature Story Thoughts for Sale By Oluwatayo Adewole • October 23rd, 2024 I have been struck by how much the prison and the suburb serve the same purpose.
The Devil’s Disguises By Ryan Wagahoff • October 15th, 2024 To bring The Devil into the picture is to inflict a rigid structure on the work.
A Dismal Tide: The Rover’s Neo-Western Nature By Wyeth Leslie • October 9th, 2024 The Rover’s version of the West is as wounded as Eric and Rey, from the abandoned mines to the weather-worn outposts.
Who Deserves the Future? By Jonathan Fenn • October 4th, 2024 Kingdom of the Planet of the Apes highlights the lack of conviction from which post-apocalyptic stories often suffer, in their insistence in constantly refocusing on humanity’s story.
You Can’t Escape from Yourself: The Substance (2024) By Orrin Grey • October 3rd, 2024 One of my pet peeves in modern horror films is when the central premise works only as metaphor, not as actual text.
