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A still from the trailer of Children Shouldn't Play with Dead Things, where the three young adults are dressed in their 70s weirdo finest, in front of some wood paneled walls, caressing a corpse and laughing at their hijinks

It’s a Boneyard: Revisiting Children Shouldn’t Play with Dead Things (1972) on 4K

By Orrin Grey • January 19th, 2023

Children Shouldn’t Play with Dead Things is a fairly accurate portrait of what macabre weirdos like us got up to – or imagined ourselves getting up to – in the days before we had the internet to distract us.

screenshot from Nightmare at noon, with four characters hiding out in a starkly lit police office. A giant framed collection of patched leans against the wall, while the officers lean on various bits of furniture and look forlorn

Meat and Potatoes Country: Nightmare at Noon (1988) on Blu-ray

By Orrin Grey • December 23rd, 2022

To an enormous extent, your enjoyment of (and even tolerance for) Nightmare at Noon will rely largely on how much affection you have for these actors, since they’re the beating heart of the film.

Title card for Silent Running, with a beaming sun visible just over the top of a spiked geodesic dome floating through space

Everyone Has a Job: The Future of Silent Running (1972)

By Orrin Grey • December 13th, 2022

Anyone who complains that modern movies are too didactic probably shouldn’t watch Silent Running, which puts all its theses into the mouth of Bruce Dern’s space-bound ecologist.

A crop of the cover for No Escape, featuring Vincent's brother looking concerned, a gangster staring down the scope of a rifle launcher, and the reasonable Ghostbuster with a very fierce expression on his face

Not in the World: The Unlikely Precognition of No Escape (1994)

By Orrin Grey • December 8th, 2022

In fact, to the extent that No Escape has anything more novel to say than “prisons are bad” – which they are, and it’s great when movies say so, but like “war is hell” it may be true but it’s also a bit of a cliché in pictures like this – it’s probably something to do with its many meditations on guilt, and what guilt should cost us.

A mop-haired Robin Hood places a golden apple atop Maid Marian's head, presumably to shoot off with an arrow. She does not look pleased

The More the Merrier: Two Robin Hoods from Hammer Films

By Orrin Grey • August 30th, 2022

Robin Hood pictures were once big business.

A stoic cop in a suit and sunglasses is walking stoically through some stoic traffic

Lunatic Meets Lunatic: Two Good-Natured Caper Films from Hong Kong Director Johnnie To

By Orrin Grey • August 17th, 2022

A pair of surprisingly lightweight and amiable caper flicks in the vein of more recent thriller confections such as 2013’s Now You See Me.

Gingy's Corner

Spirit Hunter: NG

By Gingy Gibson • August 10th, 2022

Losing your team has weight and pain because you had time to develop attachments to this confused and scared band of kids. The game makes you care before it brings down the ax; you haven’t lost a random Joe, you lost people that mattered. It’s a tactic designed to hurt, and it works.

Keifer Sutherland is sidding criss-cross-apple-sauce in a room with high arched windows and afternoon yellow light with a lone lamp for company

Today’s a Good Day to Die: Reliving the Past with Flatliners (1990)

By Orrin Grey • August 9th, 2022

It’s no surprise that Schumacher made the campiest of Batman movies, because there’s an extravagance to the production design here that would have been right at home in Burton’s Gotham City.

Gingy’s Corner
A cast shot of the crew from Ghostwire Tokyo: Prelude, including detective fingerguns, young headache, teenager and child, and thinking guy

Ghostwire: Tokyo – Prelude – Some Half-Baked Bread to Start

By Gingy Gibson • June 8th, 2022

Ghostwire: Tokyo – Prelude is an appetizer that fails to entice players to return for the main course.

A still from the trailer of The 8-Diagram Pole Fighter, featuring the lead monk standing with a bloodied lip next to his praying companion and a fellow fighter

Carnage and Blood: Two Kung Fu Movies from Opposite Ends of the Genre’s Heyday, Both with Numbers in the Titles

By Orrin Grey • June 2nd, 2022

One is a bloody Saturday morning cartoon that barely bothers to connect its interminable fight scenes with any kind of story, the other an elegiac lament about the inadequacy of heroism in the face of death.

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