Casting Deep Meteo Grails Scores the Theater of the Mind By Levi Rubeck • December 8th, 2023 More than curtains cut for mood or ambience, Anches en Maat begs the listener to simmer in their own headspace for a while.
Beyond Structures World’s End Girlfriend Composes Requiems For The End of Days By Khee Hoon Chan • December 7th, 2023 The music of World’s End Girlfriend, thankfully, resists the dichotomy of heightened emotional stakes versus the subdued lull of post-rock. Thus his melodies hardly, if ever, collapse under their immensity.
Rookie of the Year My Rich Life By Matt Marrone • December 7th, 2023 What is your rich life? The answer, we quickly learn, is different for everyone.
Interlinked Personal Emergence By Phoenix Simms • December 6th, 2023 Games are often, especially at the AAA level, power or pleasure simulators.
A Scene That Defies Belief: Godzilla Minus One (2023) By Orrin Grey • December 5th, 2023 As with Shin Godzilla, this is an attempt to return to Godzilla’s roots as a purely destructive force. There is no way in which this Godzilla is a “good guy,” even as roundaboutly as the one from the MonsterVerse films.
Past Presence Jenny from Thebes Review By Emily Price • December 5th, 2023 Jenny from Thebes is trying harder than maybe any previous album to create a specific place, but it still feels unmoored, somewhere between Greece and Austin.
The Marvelous Children of Inang-Uri By Stu Horvath and John McGuire • December 4th, 2023 Imagine riding a horse. Now imagine the horse is the size of the whole world.
Exploits Feature Pee-wee’s Playhouse Christmas Special By Sara Clemens • December 1st, 2023 It took me 19 years to listen to the commentary tracks for Pee-wee’s Playhouse Christmas Special, a show I’ve watched at least once a year for the past 35.
Fun in N-dimensions By Jonathan Fenn • December 1st, 2023 The ever-expanding world of space-twisting puzzlers offer captivating worlds not possible outside of videogames.
Run It Back 1979 2019 By Oluwatayo Adewole • December 1st, 2023 This month we turn our attention to Coppola’s 1979 epic Apocalypse Now, and more specifically to its 2019 Final Cut.
