The cover of Unwinnable Monthly #187 features stylized art from the videogame Turbo Kid.

Promotional artwork for The Witcher 3 where the white-haired Geralt stands with his back to the viewer with his swords in full view while Ciri with her own white hair and scarred face faces the viewer. A quote below the image reads: "A pleasant farewell is enough, until fate brings us together once more."

The box art for Titan Race with wild and colorful art for giant monsters with big claws, tendrils, robot arms, glowing weapons, and crazed riders. A quote below the image reads: "Even among all that chaos, the most unruly aspect of Titan Race might be the dice mechanic at its heart."

A screenshot from Dead Trash in a gritty pixelated dark parking lot with stripped cars and the player holding a shotgun pointed at a dude in flannel and a riot helmet. A quote below the image reads: "The process of mainstream videogame creation embodies a number of harsh realities, but the end result is something that is designed to be divorced from reality."

Tiffany Haddish and Ali Wong as titular Tuca & Bertie in the episode “Bird Mechanics.” A quote below the image reads: "Who wants to see dragons and other nonhumans separated from their human creators?"

A moodily lit screenshot from Quake II shows several soldiers patrolling and underground compound. A quote below the image reads: "Nobody in the world needs an 'AI-generated' Quake II, or any other game, whether it exists already or not."

The lizard-like Vah Rudania creeps up a giant cliff-face. A quote above the image reads: "The issue has never been about the usefulness of a particular process or a given device but rather how their productive capacity was actually deployed."

From The Last of Us Part II: a shot from behind of Ellie holding an acoustic guitar. A quote below the image reads: "I want anything that I write to be able to be read five, ten years later, and still feel like it was relevant and it’s speaking to something other than the graphics."

Two water polo balls float next to a rope in an indoor swimming pool. A quote below the image reads: "He never showed any signs of becoming one of our oligarchic overlords (although some other kids at our school did)."

Hayao Miyazaki slumps over his desk and draws, head in hand. A quote below the image reads: "Miyazaki is right to say that what these tools have been generating is an affront to life itself."