Jostle Bastard: Memory Lane
It is easy to forget that games don’t spring forth fully formed, like Minerva from the head of Jupiter. That isn’t true, though. Games, unlike most other mediums, are constantly changing, like a snake perpetually shedding its skin. Every version is called a build. There are thousands of builds for Jostle Bastard. In terms of scale, it isn’t a game on par with Skyrim or Red Dead Redemption, and yet, there are thousands of iterations that chart its evolution from inception to completion. Every meaningful change to the game spawns a new build. Some seem hardly changed, others are hardly
Jostle Bastard Developer’s Notebook
One of the most interesting things about the creative process is the artifacts is leaves behind. I’m not talking about the art itself – the value of that is intrinsic. I mean the physical byproducts of process. Painters make sketches. Sculptors build maquettes, filmmakers leave behind elaborate sets. With videogames dwelling almost entirely in the digital realm of builds and iterations, what remnants mark the progress of their designers? For Pippin Barr, it is the scribbles and doodles in an unruled reporter’s notebook that mark the birth and refinement of Jostle Bastard. Play Jostle Bastard. Then dig into earlier builds
The Jostle Diaries
Towards the end of the development of Jostle Bastard, I received an email from Pippin Barr that said: Have also pulled out all my diary entries on the subject [of Jostle Bastard], which I’m attaching. They sound a bit disjointed because they’re pulled from my actual diary, which of course includes a bunch of stuff unrelated to this game! The attached document was a kind of poem of doubt that oscillates between the heights of triumph and the depths of despair. After reading through it, I replied: The diary is great stuff. It kind of reads like Dracula or a
Rookie of the Year: Five Ideas For Temple Run, The Movie
The following is the latest in a series of journal entries chronicling the author’s descent into next-gen gaming degeneracy and assorted geekery – from getting his first television in years to trying to figure out why the @$@$&@@ you need two goddamn directional pads just to walk down an effing hallway.
Pretension +1: Come Through
Last weekend we buried my friend Carlos Batts on the side of a hill in Glendale. It was the magic hour, so the sun and smog conspired to give mourners a Tony Scott panorama of downtown Los Angeles while we pondered the loss of a friend gone too soon. In attendance were the bent and burnt of Hollywood. I counted more than a few pornographers in black, models with tattoos spilling from dress sleeves too. One dude looked like a East L.A. biker. More than a few bore the cultivated look of art collectors and gallery owners – pricey-looking clothes
Panels & Frames: Fun With the Dead
Hi, I am Ian Gonzales and I have opinions. I’ve been writing for Unwinnable since the summer of 2010. I mostly write about comic books and movies (hence the title, Panels & Frames) and I curate our annual Best Comics list. This is a place where I will ruminate on whatever catches my fancy or my ire in this all encompassing box we call culture. So, here we are. Today, I am here to write about zombies.
Creating a Playground of Wonder
Scale is the freshest take on first-person perspective games I’ve seen since the original Portal. It is being developed by Steve Swink, who describes himself as a game designer first and foremost, but who also teaches game and level design, including master classes at NYU, and has published a book titled Game Feel: A Game Designer’s Guide to Virtual Sensation.