Nailbiter & The Real Murder City By Charles Singletary • November 2nd, 2015 In the red splashed pages of the comic book Nailbiter, a detective hunts the evil that has shaped Buckaroo, Oregon into a birth place for serial killers. In Murder City, a detective chronicles the real live serial killer capital in London, Ontario.
The Burnt Offering The Howls of the Damned By Stu Horvath • October 30th, 2015 Where are the songs that make us scream in terror?
Good-Bad Movies for the Season By James Murff • October 30th, 2015 “There’s very little tension and all of the horror elements are funny, rather than frightening. Maybe that’s the point, though.”
A Ship of Broken Jedi By John Wm. Thompson • October 29th, 2015 “Every other character who can actually see the Force describes the player as a walking emptiness.” John Wm. Thompson on KOTOR2’s oddness and arguable success.
The World Ends With Youth By Rob Haines • October 29th, 2015 “The epitome of teenage isolation, Neku tried to understand other people, but his total lack of adult empathy makes them intrinsically unknowable, an unsolvable enigma.”
Paint-Eater: Urban Art in Digital Worlds By Heather Alexandra • October 29th, 2015 “We’ll be waving our controllers around, miming activity that we clearly don’t understand.” Heather Alexandra on gaming’s failure to understand street art.
Last Week’s Comics 10/28/2015 By Sal Lucci and Michael Edwards • October 28th, 2015 The Last Week’s Comics gang shares their thoughts on this week’s The Tomorrows # 4 and last week’s Karnak # 1.
The Fear of Missing Out on Fear By Riley MacLeod • October 28th, 2015 A distaste for horror films might drive us apart, but it can also bring us together.
The Josh and Jay Show featuring Rowan Kasier – Episode 122: Mobo in the Fofo By Team Unwinnable • October 27th, 2015 This week, the guys figure out the best way to manage their inventory using the latest in Bluetooth technology.
Grandpa Pip’s Birthday or Why Fred’s on Fire Today By Declan Taggart • October 27th, 2015 Grandpa Pip’s Birthday belongs to that age-old tradition of art that emphasizes just how terrible life is by gorging on cuteness and whimsy.