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Another Look

Surrounded by Strangers

By Yussef Cole • March 28th, 2018

It is uniquely difficult coming to terms with your own identity when parts of your family, whether through language, distance or culture, feel like strangers.

A Tumultuous Smoke Break

By Levi Rubeck • March 28th, 2018

Emma Kidwell’s Got a Light? gracefully outlines the confusing and powerful internal combustion engine of sentiment, that heavy fire that drives us all to smoking and other activities hazardous to our health.

Last Week's Comics

Last Week’s Comics 3/28/2018

By Michael Edwards • March 28th, 2018

Team Unwinnable’s Michael Edwards is happy to delve back into the world of everyone’s favorite rabbit ronin.

The Heavy Pour

It’s the Little Things, Kiddo!

By Sara Clemens • March 27th, 2018

Thankfully, simple pleasures aren’t hard to come by.

Gingy's Corner

The Merchant Memoirs

By Gingy Gibson • March 27th, 2018

The Merchant Memoirs is odd.

The Merchant Memoirs is a kinetic visual novel, meaning that you just read the story without making any choices.

Checkpoint

Hollow Colossus

By Corey Milne • March 26th, 2018

For all the politics in Wolfenstien II: The New Colossus, the game rarely lets players have a chance to examine them.

two figures, their eyes whited out and the bottom of their faces obscured by solid opaque black face paint.

Mute: Sci-Fi is a Genre, Not a Setting

By David Shimomura • March 26th, 2018

The story of a man searching for his lost love in a city hostile to him is novel. But its not necessary to tell this story in the future and Jones does nothing to connect the futurey, robotic set dressings with the actual story.

Where the Water Tastes Like Wine Betrays the Heart of Storytelling

By Jeremy Signor • March 26th, 2018

Storytelling is dynamic. Where the Water Tastes Like Wine makes it feel static.

Dispatches from GDC 2018: Day Five

By Amanda Hudgins • March 23rd, 2018

Amanda goes to GDC with a press pass. This is Day 5 of her experience.

Feature

Don’t Go In the Woods

By Stu Horvath • March 23rd, 2018

Stu Horvath discusses the new horror film They Remain with director Philip Gelatt and author Laird Barron, who penned the story from which the film was adapted.

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