“The first thing I hope people take away from playing Pukeapocalypse is, frankly, a good time.”

It has come to our attention that certain parties have made unfounded and frankly absurd claims that, during our testing of Monty Python’s Cocurricular Mediaeval Reenactment Programme, members of our organization were observed to chuckle, titter, guffaw or even laugh aloud.

James Parks and Ben Costa had always planned to adapt the world of their graphic novels and books into their upcoming tabletop roleplaying game, straightforwardly called Land of Eem.

John Kordosh wants his players to focus on the events unfolding around them, rather than counting metrics for meta-game functionality.

“The inspiration behind playing as monsters is very personal. As a youth with an obvious disability, I found that I did not fit in, and I felt akin to the monsters in pop culture and media.”

On the table next to the candle is a book that you don’t remember seeing before. The book itself feels at once familiar and strange, as though you have read it before, perhaps in a dream. The title is Ballads of Oræd.

Unlike his previous work, cartoonist Ben Marra doesn’t see INTERMEDIARY MUND as a form of pulp, or only as adjacent to it.

“Perhaps out of a sense of satire or perhaps just because I really like horror movies, metal and the occult, I wanted to create something that would have been absolutely forbidden in my house.”

Soul-crushing realities are something that MÖRK BORG tends to revel in, so it’s nice to see that Matt Johnson’s newest deck offers the same type of disastrous opportunities.

The strongest character in the setting – the most vivid, the most realized, and the most overwhelming – is the Ashen Sea itself.