Casting Deep Meteo Alone But For the Harsh Gaze of Doctor Nature By Levi Rubeck • October 10th, 2024 Everyone with a remote in their hand is an expert, we all feel this way from the comfort of home.
A Dismal Tide: The Rover’s Neo-Western Nature By Wyeth Leslie • October 9th, 2024 The Rover’s version of the West is as wounded as Eric and Rey, from the abandoned mines to the weather-worn outposts.
Area of Effect Molokhia By Jay Castello • October 9th, 2024 I wish I knew my grandmother’s recipes. I wish I hadn’t been taught to be mean to her about them.
I Played It, Like, Twice Everyone’s Heard the Stories: Dungeon Crawling in the Haunted Heartland with The Ghosts Betwixt By Orrin Grey • October 8th, 2024 The Ghosts Betwixt takes a cue from Stranger Things to tell a story set in the “1990s haunted heartland”
Rookie of the Year The Newport Folk Festival Has a New Friend By Matt Marrone • October 8th, 2024 Conan O’Brien isn’t Pete Seeger or Joni Mitchell, but he did the Newport Folk Festival proud.
The Ambivalence of Resistance By Zonghang Zhou • October 7th, 2024 Once these antagonizing powers are crushed, the rationality that sustains and justifies our actions will be accordingly diluted and quickly absorbed.
Who Deserves the Future? By Jonathan Fenn • October 4th, 2024 Kingdom of the Planet of the Apes highlights the lack of conviction from which post-apocalyptic stories often suffer, in their insistence in constantly refocusing on humanity’s story.
Interlinked Out of Reach, Out of Mind By Phoenix Simms • October 4th, 2024 When you strictly define games as a commercial product you devalue the prominent place games and their rhetoric now have in our current zeitgeist.
Checkmate: A Review of Overshoot By Autumn Wright • October 3rd, 2024 It may feel like we are checked, but the missiles are still in the air, the destruction of in development fossil capital is still unrealized. It’s checkmate.
You Can’t Escape from Yourself: The Substance (2024) By Orrin Grey • October 3rd, 2024 One of my pet peeves in modern horror films is when the central premise works only as metaphor, not as actual text.
