Here's the Thing On The Legend of Korra and Imperfection By Rob Rich • November 4th, 2020 Korra’s way of bringing some particularly significant character flaws to light through the eyes of their children makes them feel even more like human beings.
Forms in Light Some Things Last Some of the Time By Justin Reeve • November 3rd, 2020 Why are some buildings taken apart and recycled while others are simply renovated?
Always Autumn There Are Many Ways to Apocalypse. By Autumn Wright • November 2nd, 2020 As much as it is about the extraordinary ways in which people live their normal lives, Adventure Time is comprised of endings.
Another Look Sing It Out By Yussef Cole • October 30th, 2020 Lovers Rock, one of the films in Steve McQueen’s brilliant new “Small Axe” anthology about the UK’s West Indian community from the 1960s through the 1980s, is full of a palpable and irresistible energy.
Rookie of the Year It’s Complicated By Matt Marrone • October 29th, 2020 After five years, my original Series 0 Apple Watch broke.
Letter to a Heroine Dear Krile By Melissa King • October 28th, 2020 Dear Krile,While you might not get as much attention as your fellow Scions of the Seventh Dawn, you’ll always be my favorite member.
Checkpoint Colin Kaepernick, Madden NFL 21 and the Football Future That Wasn’t By Ben Sailer • October 27th, 2020 After punting on social justice for years, Electronic Arts recently patched Colin Kaepernick back into Madden NFL 21. Don’t rush to pat them on the back.
The Fail Cycle Write Your Own Pendragon Review By Declan Taggart • October 26th, 2020 Pick your path to the fall of Camelot.
Revving the Engine Robot Champions: Fight! For Your Life! By Stu Horvath • October 26th, 2020 We seldom have a clear view on how difficult it is to make videogames. Partly this is our own fault – most folks will always suspect that making games isn’t “work” the same way that digging ditches is.
World Tour Indonesia By Oluwatayo Adewole • October 23rd, 2020 That’s why Gone With the Wind is/was revered and why we’re inundated with period pieces that refuse to meaningfully interrogate the class/colonial violence that this splendor is built upon.