Exploits Feature On Canon By Gavin Craig • April 2nd, 2018 If we must have canons, let’s build our own and blow them up every now and then.
Far Cry 5: Taking off the Engagement Blinders By David Shimomura • April 2nd, 2018 That’s the trap of engagement and enthrallment. At 100mph the flaws dissolve in the motion blur.
The McMaster Files What Parts Remain? By Jason McMaster • March 30th, 2018 Life really sucks and hurts most of the time, but if we cut out and manage all the bits that make us feel, what parts remain?
Rookie of the Year Halt and Catch Death By Matt Marrone • March 29th, 2018 I used to believe I was immune to regret. I wore it like a tacky t-shirt. Now I know I have a virtually endless string of regret. Not bad choices, necessarily. Just so much taken for granted.
Another Look Surrounded by Strangers By Yussef Cole • March 28th, 2018 It is uniquely difficult coming to terms with your own identity when parts of your family, whether through language, distance or culture, feel like strangers.
A Tumultuous Smoke Break By Levi Rubeck • March 28th, 2018 Emma Kidwell’s Got a Light? gracefully outlines the confusing and powerful internal combustion engine of sentiment, that heavy fire that drives us all to smoking and other activities hazardous to our health.
The Heavy Pour It’s the Little Things, Kiddo! By Sara Clemens • March 27th, 2018 Thankfully, simple pleasures aren’t hard to come by.
Checkpoint Hollow Colossus By Corey Milne • March 26th, 2018 For all the politics in Wolfenstien II: The New Colossus, the game rarely lets players have a chance to examine them.
Mute: Sci-Fi is a Genre, Not a Setting By David Shimomura • March 26th, 2018 The story of a man searching for his lost love in a city hostile to him is novel. But its not necessary to tell this story in the future and Jones does nothing to connect the futurey, robotic set dressings with the actual story.
Feature Don’t Go In the Woods By Stu Horvath • March 23rd, 2018 Stu Horvath discusses the new horror film They Remain with director Philip Gelatt and author Laird Barron, who penned the story from which the film was adapted.
