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Documentary Sunday

Beware the Slenderman

By Megan Condis • October 10th, 2017

Megan Condis explores the chilling world of memes and Beware the Slenderman.

A rich painting of a sort of bacchanal near orgy, a man in a tie and little else having his nipples painted by a thinner man who holds him aloft, a woman shielding his nudity from view. Around him rest similar older white men in states of undress, their colors rich and resplendent. This is the album cover for Veterans of Pleasure.

Aren’t You Glad to Be An American?

By Levi Rubeck • September 26th, 2017

A light shone on the gout-riddled veterans of pleasure above and a tribute to the mad oracles living in a Lovecraftian nightmare of our own making below.

A series of future buildings lit in blues and greens.

Destiny 2 Made Me Love the Grind

By Sam Desatoff • September 21st, 2017

The Grind is a trying time, when patience is tested and loyalty is questioned. I love it.

Rookie of the Year

Folk Yea, Twitter!

By Matt Marrone • September 6th, 2017

The Rookie of the Year has the time of his life pestering performers at the Newport Folk Festival on Twitter.

Colonel Sanders looms over the top

The Unspoken Horrors of KFC’s Virtual Reality Game

By Khee Hoon Chan • August 31st, 2017

KFC’s The Hard Way symbolizes the growing intimacy between brands and consumers through virtual reality.

Gingy's Corner
A map with a magnifying glass in the corner. this is a still from 1931: Scheherazade at the Library of Pergamum

1931: Scheherazade at the Library of Pergamum

By Gingy Gibson • August 18th, 2017

1931: Scheherazade at the Library of Pergamum is a dating/time management sim targeted towards people who saw the Indiana Jones movies and wondered, “But what if Indy was a girl?”

Spilled Ink
Still from Mobile Suit Gundam Thunderbolt Vol. 4

About Gundam Time – Mobile Suit Gundam Thunderbolt Vol. 4

By Austin Price • August 16th, 2017

“Better still, Ohtagaki’s newfound self-awareness has brought with it a welcome sense of the absurd impossible in the heady, edgy days of earlier volumes, and through this sense an expansion rather than a shrinking of dramatic possibilities.”

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