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Here Be Monsters
A screenshot from Resident Evil 2 shows Clare pointing a gun at Mr. X, a huge imposing man in a black leather trench coat

On Being Chased

By Emma Kostopolus • October 31st, 2022

These monsters are more than bundles of code: they are a concrete reminder of the lack of control that we have over our own lives.

Assigned, (De)limited Desire
Link, with a mishmash of monster weapons and armor pieces, speaks with Kilton, who's wearing his monster lipstick and makeup while managing the front counter of his balloon monster parts business

Flying Shop of Horrors

By Trevor Richardson • October 26th, 2022

Fanaticism, embodiment, and economics have been stitched together to loom dreadful over all. 

Feature Excerpt

Monsters Built by Human Hands

By Hyacinth Nil • October 20th, 2022

A close reading of Lakeview Hotel.

Interlinked

Acquiring Phantomilian

By Phoenix Simms • October 5th, 2022

Games have their own form of communication and language and, in some instances, they include constructed languages, or conlangs, that are foreign to their players too.

Run It Back
In a still from The Last of England, a woman with long blonde hair wearing a wedding dress rends her dress apart while screaming in front of an open flame.

1987

By Oluwatayo Adewole • September 28th, 2022

Tayo’s back discussing two films from 1987, both by trailblazing gay directors, Joel Schumacher’s The Lost Boys and Derek Jarman’s The Last of England.

Friction Burns
A house with a tin roof built on top of horizontal oil drums sits in a warehouse that is also a museum, a single light illuminating an old man asking questions of the residents on the porch

Finding The On-Ramp To Route Zero

By Ruth Cassidy • September 26th, 2022

Kentucky Route Zero carries its own ghosts of its critical legacy. How do I get past that?

Dimensions
Screenshot from Paradise Killer where you face a shimmering white humanoid figure with their arms raised, a ghost on the beach surrounded by chairs, umbrellas, and askew obelisks

Paradise Killer is On a Heavenly Trip

By Caroline Delbert • September 21st, 2022

Kaizen Game Works built their lore sky high, climbed through an unseen ceiling, and emerged into the scene of an age-old mystery. With Oli Clarke Smith.

Casting Deep Meteo
Detail from Blind Girls' The Weight of Everything album cover art, featuring a spiderweb of cracked glass.

The Meat Box: Four Quick Bites

By Levi Rubeck • September 12th, 2022

With nary a word of acknowledgement, Levi casts such deep meteo he ends up mimicking Noah Springer’s “The Beat Box” column. Good picks, though.

Interlinked
In a detail from the cover art of Javy Gwaltney’s Into the Doomed World, a lone tombstone sits in a large grassy field lit by sunset, mountains and trees rising behind it.

The Hopeful Disharmony of Into the Doomed World

By Phoenix Simms • September 8th, 2022

Phoenix talks to Javy Gwaltney about Into the Doomed World, his new short-story collection about 30 self-aware NPCs in a world that’s been sentenced to a slow apocalypse by its player.

Dimensions
A screenshot from Paradise Killer where we see Shinji, the four-armed demon with a square head and fox face flipping the bird and nude except for a shocked emoji placed over his nethers, hanging out in the brutalist courtyard and elevator around the Syndicate headquarters

Paradise Killer’s 8,227 Years of Solitude

By Caroline Delbert • August 26th, 2022

What does time mean when the ruling class is immortal? Everything, it turns out. With comments from Oli Clarke Smith and Sam Barlow.

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