Here Be Monsters An Introduction and Manifesto By Emma Kostopolus • October 3rd, 2022 The horror of videogames, and a lot of horror more generally, rests on the fear of time.
WHPA-13: Weird Heroes of Public Access By Stu Horvath and John McGuire • October 3rd, 2022 Click that switch over to the UHF dial!
I Played It, Like, Twice... Offensive Stereotypes: Monster Mayhem Rises from the Crypt… But Maybe Shouldn’t By Orrin Grey • September 30th, 2022 Despite its cartoony demeanor, Monster Mayhem is no different from White Wolf’s RPGs, and its approach is… not exactly sensitive, even for 2007.
This Mortal Coyle Ruby Blue from Switchcraft By Deirdre Coyle • September 30th, 2022 Ms. Blue’s aesthetics speak volumes: she wears librarian clichés – cardigans and tortoiseshell glasses – with bodycon animal prints, statement jewelry and long, blue nails.
Assigned, (De)limited Desire Marissa Marcel, You Will Never Be Famous By Trevor Richardson • September 29th, 2022 The character is the actor, is the art, is the artist.
Self-Insert Hybrid Shifters By Amanda Hudgins • September 29th, 2022 Ultimately you see in hybrid shifter fiction a desire to create people who are closer to their “natural instincts” over reason, a call back to nature. Is the reason usually sexy? Of course it is.
Dimensions There Swings a Skull Completes the Bigger Picture with Grim Tidings By Caroline Delbert • September 28th, 2022 How do you turn a tightly told jam game into something more? For Quinn K. and Conor Walsh, it was a creative challenge.
Run It Back 1987 By Oluwatayo Adewole • September 28th, 2022 Tayo’s back discussing two films from 1987, both by trailblazing gay directors, Joel Schumacher’s The Lost Boys and Derek Jarman’s The Last of England.
The Beat Box Noteworthy Hip Hop – September 2022 By Noah Springer • September 27th, 2022 1997 was a good year for hip hop and an even better one for Noah.
