Transpersonal “There has never been anything smaller than me”: Agent Black, Iconoclasts and the Necessity of Grief By Aster Shen • October 21st, 2022 Agent Black cannot let go – she literally cannot let go – of the rocket that symbolizes a potential that will never be realised.
Feature Story Whose Body Horror Is It, Anyway? By Ruth Cassidy • October 21st, 2022 A look at body horror, the just world fallacy, and lungs that turn into glass.
Feature Excerpt Monsters Built by Human Hands By Hyacinth Nil • October 20th, 2022 A close reading of Lakeview Hotel.
Feature Excerpt Stop/Motion By Orrin Grey • October 20th, 2022 Ray Harryhausen and the magic of stop motion monsters.
Letter from the Editor Unwinnable Monthly – October 2022 By David Shimomura • October 17th, 2022 Let the spoopy season begin!
Colonial Marines By Stu Horvath and John McGuire • October 17th, 2022 “I say we take off and nuke the entire site from orbit. It’s the only way to be sure.”
Here's the Thing I’ve Been Staring At This For Two Days By Rob Rich • October 14th, 2022 Rob had so much trouble figuring out what to write about, he decided to write about how tough it can be to figure out what to write sometimes.
Insert Coin Heart, Kidney, Pancreas, Shard By Madison Butler • October 13th, 2022 Space Warlord Organ Trading Simulator creates tension between the inherent violence of its premise and the player’s enjoyment of the gameplay, offering an engaging critique of capitalism.
Forms in Light How to Build a Racetrack By Justin Reeve • October 13th, 2022 Adopting a broader view as to what constitutes architecture can be a worthwhile endeavor.
Always Autumn Another Meaning of the Words By Autumn Wright • October 12th, 2022 The alphabetical arrangement of Alaska for Looking brings attention to the nonmaterial components of text as a mode, and to the construction of the novel as a form rather than material object.
