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Letter from the Editor

Unwinnable Monthly – September 2017

By Stu Horvath • September 15th, 2017

Our September issue is here and it is bursting with goodness. Stu gives you the nickle tour.

The Board Soul
A man in a round hat and a gun fighting off a large kraken like creature. This is part of the box art for the Arkham HOrror Card game

The Gathering

By Jeremy Signor • September 14th, 2017

The Arkham Horror Card Game throws you head first into a strange, ghoul-filled story that’s one of the most immersive experiences for your tabletop.

A collection of tabletop games, with the text "tabletop toolbox" in big white letters in the foreground.

Your Game Shelf is a Toolbox

By Sam Desatoff • September 14th, 2017

Your game shelf is a monument to years of careful research, of building the the perfect collection to fit any situation.

Last Week’s Comics 9/13/2017

By Ian Gonzales and Michael Edwards • September 13th, 2017

Team Unwinnable shares their thoughts on this week’s Ash Vs. the Army of Darkness # 3 and the two week old Rebels Vol. 2 # 6.

Red faced, Winston from Overwatch screams at the camera.

Deathmatch: The Definition of Frustration

By Levi Rubeck • September 12th, 2017

These are just games, and I’m being a little dramatic. But it’s worth considering what we allow the media we enjoy to wring out of us—the catharsis of great pathos or joy from a safe distance.

A group of hipster lokoing folks surrounded by discarded musical instruments staring towards the camera which is placed above eyeline. This is a promotional image for YIIK: A Post-Modern RPG

YIIK Is More Than Just The ’90s Version Of EarthBound

By Khee Hoon Chan • September 12th, 2017

Saying that YIIK: A Post-Modern RPG is an Earthbound-like roleplaying game set in the late 20th century may suffice in getting folks to smash download demo

Red lips in a white face with a ruffle behind, a red balloon partially consider the face. This is a still of Pennywise from It.

2017’s It Isn’t Scary, It’s Frightening

By David Shimomura • September 11th, 2017

It’s strangest quality as a film is that it’s a horror movie that is simply not very scary. While the line between scary and not is porous, subjective, and obtuse, it’s up to a movie to either define its terms or define itself in relation to existing ones.

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