Documentary Sunday That Sugar Film By Megan Condis • February 14th, 2018 Can a documentary be considered brain food?
The Dioramic Ambiance of Overland By Levi Rubeck • February 14th, 2018 It’s very Hemingway-ian in it’s simplicity, which fits the Overland modus operandi so far: by doing less they’re planting the seeds for player generation of the narrative, tending their own stories of failure and maybe success, eventually.
The Burnt Offering Signs & Portents By Stu Horvath • February 13th, 2018 In Gorogoa, nothing is what it appears to be.
E-soterica Experience Melancholia In Just Two Minutes By Khee Hoon Chan • February 13th, 2018 30 Seconds to Midnight brings to mind the sublime but sorrowful Lars von Trier film Melancholia, which depicts the world’s end in an unorthodox manner—a inevitable planetary collision, devoid of typical Hollywood bombast.
Another Look “Villains” By Yussef Cole • February 12th, 2018 Assassin’s Creed Origins is too quick to dispose of women of color antagonists who deserved a chance at redemption.
This Mortal Coyle April Ryan By Deirdre Coyle • February 9th, 2018 April Ryan, the hero of The Longest Journey, is smart, capable and deals with plenty of bullshit from creepy dudes. So basically: Every Woman.
Gingy's Corner Gingy’s Corner: Nicole: The Otome By Gingy Gibson • February 9th, 2018 Nicole is a bland, semi-competent mess of a dating sim.
Backlog The Sense of an Ending By Gavin Craig • February 8th, 2018 Life goes on. Our stories don’t have to.
The Board Soul Pieces By Jeremy Signor • February 8th, 2018 Game pieces are supposed to represent something specific, transcending their forms and letting us manipulate representations of objects and people. But what happens when a cube is just a cube?
The Sweet Illogic of Cultist Simulator By Levi Rubeck • February 8th, 2018 The body withers, decays, and rots with whatever insight you thought you’d gained back into the earth. Until you start a new game, echoing a past barely remembered.
