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Exploits Feature

Culture vs. Canon

By Gavin Craig and Elijah Beahm • April 2nd, 2019

A long running discussion about culture vs. canon between Gavin Craig and Elijah Beahm culminates in a thrilling head-to-head confrontation.

Luke Perry, illuminated by a broken diner sign, looks direct at camera.

Luke Perry was Riverdale’s Best Idea

By Harry Mackin • April 2nd, 2019

The story of Fred Andrews is, thanks to Riverdale’s framing, is in some small part the story of Luke Perry.

Backlog

Whose Apocalypse?

By Gavin Craig • April 2nd, 2019

While wandering through Far Cry: New Dawn’s unplausible dystopia, Gavin Craig sees it as just one ending in a cycle as old as time.

Red Box

By Stu Horvath and John McGuire • April 1st, 2019

This week, we’re talking about the Dungeons & Dragons Basic Set, the iconic red box. We also chat about the Mixtape Massacre board game and the indie TTRPG distro/publisher Exalted Funeral.

Another Look

Alone at the End of the World

By Yussef Cole • April 1st, 2019

Why developers continue to make post-apocalyptic games is well studied. Yussef Cole instead examines why players like himself love returning to their ruined worlds.

The McMaster Files

The Rules

By Jason McMaster • March 30th, 2019

Mental illness can make a person obsessive, which – as Jason finds – makes it nearly impossible to dislike games.

Unmissable: Episode 4

By Sara Clemens and David Shimomura • March 28th, 2019

It’s all about games on this week’s episode of Unmissable!

A face, similar to a cat, drawn in a unique colorful style. The text "Angel Du$t" is on the left.

The Sax Always Brings Me Back

By Levi Rubeck • March 28th, 2019

Angel Du$t fooled the old fans by daring each to hate this laser-beam of everything they’ve ever worked towards.

A digital desktop

Hypnospace Outlaw Finds the Horror in Viruses

By Jeremy Signor • March 26th, 2019

An eerie tribute to the early days of the internet, Hypnospace Outlaw reveals the hidden hell of computer viruses.

Feature Excerpt

Donut County and the Boisterous History of White Guilt

By Jason Dafnis • March 26th, 2019

The quirky indie game makes a statement on gentrification, capitalism, and – in the raccoon BK’s character – the weaponization of racial guilt.

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