The Sax Always Brings Me Back By Levi Rubeck • March 28th, 2019 Angel Du$t fooled the old fans by daring each to hate this laser-beam of everything they’ve ever worked towards.
Hypnospace Outlaw Finds the Horror in Viruses By Jeremy Signor • March 26th, 2019 An eerie tribute to the early days of the internet, Hypnospace Outlaw reveals the hidden hell of computer viruses.
Feature Excerpt Donut County and the Boisterous History of White Guilt By Jason Dafnis • March 26th, 2019 The quirky indie game makes a statement on gentrification, capitalism, and – in the raccoon BK’s character – the weaponization of racial guilt.
Feature Excerpt Replaying Deus Ex In An Age of Conspiracy Theorists By Mark Hill • March 26th, 2019 Nineteen years after its release, Deus Ex’s story reveals its age far more than its clunky graphics ever could.
The Family Curse – The Tale of Lemp Mansion By Jen Sisco and Robin Mazzolla • March 26th, 2019 Money can’t buy happiness, especially when there is a curse involved.
Noteworthy Hip Hop – March 2019 By Noah Springer • March 26th, 2019 Fresh hip hop selections for March!
The Toxicity of Power in Devil May Cry 5 By Malindy Hetfeld • March 25th, 2019 In Devil May Cry 5, the message of both gameplay mechanics and narrative is the same – the predominately male player is the most important aspect of the world, shaping it to his will using the power he gains.
No More Mercy: Karate Kid Showdown on Blu-ray By Orrin Grey • March 25th, 2019 Just the story of a small town boy who moves to California and learns martial arts.
Best metal and rock songs in the Eurovision Song Contest By Alan Smithee • March 22nd, 2019 It is fair to say that the Eurovision Song Contest isn’t normally associated with the genres of metal or rock music.
Flesh Without Blood By Astrid Budgor • March 22nd, 2019 Alita does not pass as human, either as actor or character, but the film remarkably doesn’t see “human” as the only option…Or, put another way: there is more to life than humanity.
