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Nightlife

By Stu Horvath and John McGuire • April 19th, 2021

An RPG about playing creatures of the night, a year before White Wolf’s World of Darkness.

Letters from the Editors

Unwinnable Monthly, April 2021

By David Shimomura and Stu Horvath • April 15th, 2021

Big doings on the party boat this month! Oh, and all the normal magazine stuff too!

a man with long hair and short bangs, his eyes made so that you can only see the whites of his eyes.

Days of Beasts and Cocaine: An Alex de la Iglesia Double-Feature

By Orrin Grey • April 15th, 2021

That’s what I did; two-fisting this particular double-feature with a shot of Day of the Beast and a chaser of Perdita Durango.

Two covers from two different kpop novels: XOXO by Axie Oh, showing a young Asian woman held in the arms of a young Asian man on a city street, and the Comeback by Lyn Ashwood and Rachel Rose, which shows a bunch of boys from the boys from the back wearing casual clothing.

about 3000 words on K-pop novels

By Amanda Hudgins • April 14th, 2021

Despite these books having so little to do with each other – they vary wildly in terms of audience, genre, and quality – they have so much in common.

Antiracist Cosmic Horror

By Noah Berlatsky • April 13th, 2021

A companion to Noah Berlatsky’s March feature story!

The two band members of 68 in a red stylized image, overlapping. This is a section of their album cover for Give One Take One

’68 Releases a Menu Worthy of the Meal

By Levi Rubeck • April 13th, 2021

This wasn’t a boast but a call-to-arms, and there are many who took on the charge.

David Hoskins Interview

By Stu Horvath and John McGuire • April 12th, 2021

You’ve seen his pen work in Acid Death Fantasy, The Isle of the Plangent Mage  and, soon, in Through Ultan’s Door.

two men sitting in an old car with the text "we kill all sizes" above their head.

No Bright Side: Crimewave (1985) on Blu-ray

By Orrin Grey • April 7th, 2021

In many ways, Crimewave is the kind of movie I live for: a bonkers, underseen, early-career flick from legendary filmmakers who went on to much bigger things.

Eyeing Elsewhere
A silver haired woman in white.

What Happens Next?

By Phillip Russell • April 6th, 2021

Phil’s thinking about the ending of things.

Detail from the cover art for We are Always Alone of a girl in a schoolgirl outfit, a purple and red light above her head.

portrayal of guilt’s Anthems Against False Hope

By Levi Rubeck • April 5th, 2021

Anthems for sinking ships, as if the tide itself was a choleric spirit drawing you down to a lightless ocean floor.

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