Eyeing Elsewhere Just Above the Noise By Phillip Russell • August 31st, 2022 The Bear is a show about the traumas that our previous workplaces, managers and family members imprint on us and the struggles we face not only in trying to overcome them, but to break the chain.
The More the Merrier: Two Robin Hoods from Hammer Films By Orrin Grey • August 30th, 2022 Robin Hood pictures were once big business.
The Beat Box Noteworthy Hip Hop – August 2022 By Noah Springer • August 30th, 2022 Well, it’s August and boy is it hot! But this column isn’t about the heat that comes from the atmosphere, just the heat that comes off these fresh drops.
Friction Burns There’s Two Sides To The Story in Signs of the Sojourner By Ruth Cassidy • August 29th, 2022 There’s a truth at its heart of Signs of the Sojourner’s conversational card games: you cannot prepare the perfect conversation.
Revving the Engine Creative Constraints in Unbound: Worlds Apart By Ben Sailer • August 29th, 2022 Unbound: Worlds Apart looks like a typical puzzle-platformer. However, thanks to some creative design decisions, it’s much more than that.
The Lost Wave By Stu Horvath and John McGuire • August 29th, 2022 Some new old D&D toys seem to have fallen out of a time warp.
Dimensions Paradise Killer’s 8,227 Years of Solitude By Caroline Delbert • August 26th, 2022 What does time mean when the ruling class is immortal? Everything, it turns out. With comments from Oli Clarke Smith and Sam Barlow.
Feature Story Team Unwinnable Fireside Chats By David Shimomura • August 26th, 2022 This month, David chats with Unwinnable co-owner and vice publisher, Sara Clemens.
Assigned, (De)limited Desire The Dodo Wears Labelle By Trevor Richardson • August 25th, 2022 Label has her would-be muses dress up to spur her inspiration, but what materially occurs is a transaction of influence.
Feature Excerpt The Horror of Finding a Home By Andrei Filote • August 25th, 2022 Path of Exile doesn’t end when the story concludes but when the player’s will to imagine the next character fails.
