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Eyeing Elsewhere
A still from Killers of the Flower Moon shows Mollie and Ernest sitting at the table. Mollie gazes at Ernest with some fondness while he wears a distant, inscrutable expression.

Boots on the Ground

By Phillip Russell • November 30th, 2023

Killers of the Flower Moon is a complicated film, less so because of the story it tells, and more so with how it’s told and by whom.

Noise Complaint
The drummer for Few Left Standing peers cheekily at the camera while playing at a 2000 house show.

On the Outside Looking Into Christian Hardcore

By Ben Sailer • November 29th, 2023

Ben wonders what happened to all the Christian hardcore bands that once dominated VFW basements and Hot Topic shelves, and lands on a conclusion that reveals his own ignorance.

A screenshot from ObsCure, where in a grungy brick-walled basement a young jock and a strange student fire guns at a hideous monster wearing a skull for a face with tendrils flowing from beneath as it stalks the kids

On ObsCure Horror Games and Unfinished Business

By Megan Bidmead • November 28th, 2023

Here’s the problem: It’s been a few weeks since then, and I actively don’t want to finish this game.

Funeral Rites

ARC Turns Disaster Into a Fighting Chance

By Dr. Emily Price • November 28th, 2023

While ARC is a TTRPG about the end of the world, it uses humor and warmth as often as horror to imagine what responding to the apocalypse actually looks like.

Good Books 2023, Part 2

By Stu Horvath and John McGuire • November 27th, 2023

Stu recommended books, but now it’s Hambone’s turn!

A screenshot from Watch Dogs featuring the main character Aiden enacting street justice on a street tough in glasses which seems like a shameful thing to do

Chicago, the Ambiguous, and Ourselves

By Zonghang Zhou • November 22nd, 2023

Beneath the veneer of a near-future dystopian technocracy, Watch Dogs is a bildungsroman of a man seeking redemption and salvation.

Feature Excerpt

The Stories of Virtual Fragments

By Clint Morrison Jr. • November 22nd, 2023

Modern games are littered with fragmented narratives, digital ephemera often left obscured or abstracted in their incompleteness.

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