Brain Scratch We Scorn Friction at Our Peril By Steven Nguyen Scaife • October 31st, 2022 A look at some smaller games that use friction to make a point, to express frustration and access emotions beyond the limited vocabulary of realism and polish.
Here Be Monsters On Being Chased By Emma Kostopolus • October 31st, 2022 These monsters are more than bundles of code: they are a concrete reminder of the lack of control that we have over our own lives.
I6: Ravenloft (Remastered) By Stu Horvath and John McGuire • October 31st, 2022 A return to Ravenloft…
Self-Insert Monstrous Pregnancy By Amanda Hudgins • October 28th, 2022 Birth is one of the few acts of love that can kill you, a messy, bloody affair that demands everything of the birthing partner.
Dimensions Papers, Apples, Microphones, Chairs: Immortality’s Spatial Miscellany By Caroline Delbert • October 27th, 2022 Sam Barlow’s recent game projects his text-searching trademark into fully realized feature films. How do you know where to look?
Past Presence Roadwarden By Dr. Emily Price • October 27th, 2022 There is a gate made out of living thorns, a tree that drinks your blood, and a river with birds that call to you in human screams.
Assigned, (De)limited Desire Flying Shop of Horrors By Trevor Richardson • October 26th, 2022 Fanaticism, embodiment, and economics have been stitched together to loom dreadful over all.
Run It Back 1943 By Oluwatayo Adewole • October 26th, 2022 How do you see that the world is bigger and more full of mystery than you had ever imagined and yet still your purest impulse continues to be to subjugate?
Eyeing Elsewhere On Monsters and Ourselves By Phillip Russell • October 25th, 2022 Hell in the Hellraiser universe reflects back to others what they struggle with the most. It’s a fluid space that changes as our own sense of self does.
The Beat Box Aliens and Monsters By Noah Springer • October 24th, 2022 Aliens and monsters both have roots in the history of pop music, but it’s hip hop in which the two are combined most effectively, specifically in the work of Kool Keith and MF DOOM.
