Noah's Beat Box Turning Time By Noah Springer • October 15th, 2025 Maybe it was those Santa Ana winds driving me insane, or maybe it was the hefty dose of edibles I just scarfed down, but I swore I was back in St. Louis just seconds ago.
Totally Generic High School Musical and the Gaslighting of America’s Youth By Natasha Ochshorn • October 10th, 2025 What makes streaming different than past revised mediums is that when changes are made, there may be no older physical model to compare it to.
Wiring Games for Lightbulb Moments – The Power of Realization over Revelation By Jonathan Fenn • September 24th, 2025 Invoking this feeling doesn’t need to be built up over many hours to work, it can also be distilled to one delightful moment.
Totally Generic I’m So Bored, I Could Die By Natasha Ochshorn • September 16th, 2025 And Just Like That… is a show that often feels in my brain the same way scrolling on the internet does.
Orpheus in Lumon: The Act of Looking Back in Severance By Vehe Mently • August 27th, 2025 Memory is the crux of the question of identity in Severance.
Shades of Blue (Ranger) By Alex J. Tunney • August 7th, 2025 Simple is a great starting point, a good shortcut.
Exploits Feature Loudermilk By Ben Sailer • August 1st, 2025 Writing about culture should be about more than just trying to control the narrative around a creator or their work.
The Accumulated Past By Jimmy Hollenbeck • July 23rd, 2025 What’s more important in the show’s final scene is its emotional truth.
Does Taste Matter? By Farouk Kannout • July 17th, 2025 Living human beings, unlike works of art, don’t have easily definable endings to encapsulate what they represent.
Totally Generic What Are We Talking About When We’re Talking About Star Wars? By Natasha Ochshorn • June 10th, 2025 The depiction of fascism in Andor, – its annihilating possibilities, its pervasiveness, its seductions towards complicity – feel extrapolated from the present moment, terrifyingly. Its rebellion feels hopefully so.
