Always Autumn Last Night I Went to a House Show By Autumn Wright • June 13th, 2023 Folded arms, cold gazes, straight couples dressed like they wanna be at a club in Williamsburg, which is to say “Kind of gay, but don’t be mistaken.”
The Burnt Offering The Kosmische Cosmos By Stu Horvath • June 6th, 2023 Electronic music is thoroughly modern music. And the truth about the folklore that these sorts of projects score is that it’s thoroughly modern folklore.
Noise Complaint Black Metal Mythmaking, Gatekeeping, and Points In Between By Ben Sailer • May 31st, 2023 Black metal musicians have long used secrecy and controversy to generate notoriety.
Noise Complaint Calling In a Noise Complaint By Ben Sailer • April 26th, 2023 After four and a half years of writing the Collision Detection column, Ben starts something new by going back to something old.
The Beat Box Enter the Wu-Tang By Noah Springer • February 24th, 2023 2023 marks the 30th anniversary of Enter the Wu-Tang (36 Chambers) and something like the 18th anniversary of Noah listening to it.
Always Autumn A Golden Halo That Could Be the Sun Part I: Whose Apocalypse Is This? By Autumn Wright • February 9th, 2023 What does the beauty of a world born anew look like from the depths?
Rookie of the Year No Rules Newport By Matt Marrone • February 3rd, 2023 Something happened at the most recent Newport Folk Festival – Sylvan Esso debuted their as-yet-to-be-released and previously-unheard album, No Rules Sandy – for the first time.
The Beat Box Noteworthy Hip Hop – January 2023 By Noah Springer • January 24th, 2023 A little wrap-up of potential classics Noah overlooked last year.
Working for the Knife (and Being the Knife) By Sara Khan • January 12th, 2023 When I see Mitski for myself, I am tip-toed, leaning this way and that, reaching for an angle to see her over that glowing phone screen-sea.
