The Mark Hamill Movie Marathon: A How-To Guide By Declan Taggart • December 4th, 2015 For as long as mankind has loved Mark Hamill, it has also faced its greatest foe: properly preparing for Mark Hamill Movie Marathons. Together, with this How-To Guide, we can beat that foe.
Running on Broken Glass By Amanda Hudgins • December 2nd, 2015 “Metal Gear Solid V sabotages its own depth by playing everything straight, by presenting real world horror alongside events that are completely ridiculous.”
It’s Time to Forgive Constantine By Amanda Hudgins • November 23rd, 2015 Keenu’s Constantine is turning 10 years old, maybe it’s time to finally time to forgive the film for its one major gripe. Even God forgave him, can’t you?
Holy Totalitarianism, Batman! By Matt Paprocki • November 12th, 2015 “Arkham Knight has no basis of morality, no balance. That’s the problem.” Matt Paprocki reveals the terror fighting terror, the Batman in Arkham Knight.
The Road to an Android Future goes through the Uncanny Valley By Charles Singletary • November 9th, 2015 Science Fiction of old oft envisions humans coexisting with androids as does Quantic Dreams recently revealed game Detroit, but Japan may have taken the first step toward that reality with their android actress.
Regression: A Scene from a Career in Decline By Declan Taggart • November 6th, 2015 Regression is so much like a TV movie. Every time I look at the cinema screen, I’m surprised. I think: Wow. Why’s this TV so big? And how did it get into our living room?
A Collection of Apocalypses: An Interview with Paul Tremblay By Stu Horvath • November 5th, 2015 “When horror is done well, I love the sense of awe, of holy-shit-what-is-that…” Stu talks with horror writer Paul Tremblay on his influences, past and future.
Cult Horror Review: Death Bed: The Bed That Eats By Megan Condis • November 2nd, 2015 The Venus Fly Trap tactics of this diabolical bed are second to none.
Good-Bad Movies for the Season By James Murff • October 30th, 2015 “There’s very little tension and all of the horror elements are funny, rather than frightening. Maybe that’s the point, though.”
