Escape from Tomorrow By Zonghang Zhou • March 12th, 2024 The greatest pity is that Marcus does not succeed where Aiden has failed – to rebuild.
Casting Deep Meteo Road House Ronin By Levi Rubeck • March 12th, 2024 Miyamoto Usagi and Dalton’s stories aren’t totally parallel, but they rhyme in a lot of ways.
Here Be Monsters In Defense of the Jump Scare: A Manifesto By Emma Kostopolus • March 5th, 2024 Jump scares function as a necessary pressure-release valve for the experience of watching horror, thus allowing the experience to be less unrelentingly tiring.
Exploits Feature The Century-Long Humanification of King Kong By Van Dennis • March 1st, 2024 Heavy is the head that wears the crown.
Run It Back 1995 By Oluwatayo Adewole • February 28th, 2024 In both Fallen Angels and The Doom Generation we follow dreamers.
What is Best in Life: Conan Movies on 4K By Orrin Grey • February 14th, 2024 When the pouty virginal princess asks Zula how one goes about getting a man, no one but Grace Jones could sell her response, as she growls, “You grab him! And take him!”
Self-Insert Mary Sue By Amanda Hudgins • February 2nd, 2024 She is you, a teenager who is stuck in a small town with no friends, with cruel acquaintances who don’t love any of the things that you do, who has been told for years that boys bully you because they like you.
Run It Back Sex and Cinema By Oluwatayo Adewole • January 30th, 2024 At the same time as a quasi-accepting era which brings us more art focused on marginalized people, a soft Hayes Code re-emerges, allowing for the clean lines of queerness but not the smudges.
(Hopefully) Waving Goodbye to the Trope of the Magical Negro By Brea Shanice • January 3rd, 2024 Years have passed and Beth has grown into an adult with her own full-blown addiction and untreated trauma. So naturally in the middle of her descent, her best Magical Negro friend comes back to cushion her fall.
Exploits Feature The Tunnel to Summer, the Exit of Goodbyes By Autumn Wright • January 2nd, 2024 While The Tunnel to Summer, the Exit of Goodbyes is a coming-of-age drama without any action – all its conflict is psychological – it still invokes all these tropes.
