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My Least Favorite C-Word

By M. Shaw • December 1st, 2022

Every brush I’ve had with actually celebrating Christmas has been a complete horror show.

Run It Back
A black and white photograph of several Black Americans rioting in the street in the 1970s.

1973

By Oluwatayo Adewole • November 29th, 2022

A poetic embodiment of the fever-dream feelings within The Spook Who Sat By The Door and Ganja & Hess.

Self-Insert
A still from Breaking Dawn shows a close-up of Bella Swan at the end of her pregnancy. Her face is gaunt and skeletal.

Monstrous Pregnancy

By Amanda Hudgins • October 28th, 2022

Birth is one of the few acts of love that can kill you, a messy, bloody affair that demands everything of the birthing partner.

Run It Back

1943

By Oluwatayo Adewole • October 26th, 2022

How do you see that the world is bigger and more full of mystery than you had ever imagined and yet still your purest impulse continues to be to subjugate?

Eyeing Elsewhere
Hellraiser's Female Cenobite, Pinhead, and Butterball stand in front of starkly back-lit binds.

On Monsters and Ourselves

By Phillip Russell • October 25th, 2022

Hell in the Hellraiser universe reflects back to others what they struggle with the most. It’s a fluid space that changes as our own sense of self does.

Feature Story
A painting of the many-headed King Ghidorah surrounded by a hazy orange glow. The three heads are roaring into the sky.

Monstrous

By David Shimomura • October 22nd, 2022

Monsters, necessarily, cannot be “bad.” Instead, like many horrors, the true monsters are dark reflections of our anxieties and stresses.

Feature Excerpt
In a still from Jason and the Argonauts, three armed skeletons are lined up ready for battle.

Stop/Motion

By Orrin Grey • October 20th, 2022

Ray Harryhausen and the magic of stop motion monsters.

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