I Want to Ask Your Forgiveness for What I Will Inflict on You: Red Rooms (2023) and the Abjection of Obsession By Orrin Grey • November 26th, 2024 How much difference is there, after all, between watching a murder take place, and reconstructing that same murder through your favorite true crime series, book, or podcast?
Feature Excerpt Believe Me, I Haven’t Got a Choice: Max Rockatansky’s Bisexual Apocalypse By Maddi Chilton • November 26th, 2024 We return to Max Rockatansky, who wanders in and out of traditional pasts and transgressive futures, part of both but choosing neither.
The Secret Ingredient is Love By Jimmy Hollenbeck • November 25th, 2024 It isn’t just about filling her body and soul, it’s a declaration of love. How could she say no to that?
Interlinked Zoning Out By Phoenix Simms • November 8th, 2024 Being anywhere is better than trapped in the suburbs.
Maybe They Should Save Themselves: Maxxxine (2024) as Middle Finger By Orrin Grey • November 6th, 2024 I think that Maxxxine really believes that it has something to say in all those theme-heavy monologues
The Incredible Light Shining Through Holy Frit By Elijah Beahm • November 4th, 2024 Holy Frit is a story of creativity, courage, and learning fast on your feet.
Personal Items Work Best: Oddity (2024) By Orrin Grey • October 31st, 2024 Oddity is an extremely slow burn, though it keeps elements of eeriness and dread close at hand.
Feature Story Thoughts for Sale By Oluwatayo Adewole • October 23rd, 2024 I have been struck by how much the prison and the suburb serve the same purpose.
The Devil’s Disguises By Ryan Wagahoff • October 15th, 2024 To bring The Devil into the picture is to inflict a rigid structure on the work.
A Dismal Tide: The Rover’s Neo-Western Nature By Wyeth Leslie • October 9th, 2024 The Rover’s version of the West is as wounded as Eric and Rey, from the abandoned mines to the weather-worn outposts.
