Run It Back 1943 By Oluwatayo Adewole • October 26th, 2022 How do you see that the world is bigger and more full of mystery than you had ever imagined and yet still your purest impulse continues to be to subjugate?
Eyeing Elsewhere On Monsters and Ourselves By Phillip Russell • October 25th, 2022 Hell in the Hellraiser universe reflects back to others what they struggle with the most. It’s a fluid space that changes as our own sense of self does.
Feature Story Monstrous By David Shimomura • October 22nd, 2022 Monsters, necessarily, cannot be “bad.” Instead, like many horrors, the true monsters are dark reflections of our anxieties and stresses.
Feature Excerpt Stop/Motion By Orrin Grey • October 20th, 2022 Ray Harryhausen and the magic of stop motion monsters.
2022 Unwinnable Halloween Video Store Week One: Transgressive Terrors By Team Unwinnable • October 9th, 2022 Welcome to the Spoopy Season!
Mind Palaces Evil as Can Be By Maddi Chilton • October 4th, 2022 The idea that Elvis would have been happy and healthy and long-lived if only were it not for his life-long manager Colonel Tom Parker is ahistorical.
Run It Back 1987 By Oluwatayo Adewole • September 28th, 2022 Tayo’s back discussing two films from 1987, both by trailblazing gay directors, Joel Schumacher’s The Lost Boys and Derek Jarman’s The Last of England.
Nonhuman Meditations Tracking a Mechanical Shark By Alyssa Wejebe • September 16th, 2022 Alyssa follows the adventures of Bruce, the mechanical shark in Jaws.
The More the Merrier: Two Robin Hoods from Hammer Films By Orrin Grey • August 30th, 2022 Robin Hood pictures were once big business.
Lunatic Meets Lunatic: Two Good-Natured Caper Films from Hong Kong Director Johnnie To By Orrin Grey • August 17th, 2022 A pair of surprisingly lightweight and amiable caper flicks in the vein of more recent thriller confections such as 2013’s Now You See Me.
