Interlinked Zoning Out By Phoenix Simms • November 8th, 2024 Being anywhere is better than trapped in the suburbs.
Maybe They Should Save Themselves: Maxxxine (2024) as Middle Finger By Orrin Grey • November 6th, 2024 I think that Maxxxine really believes that it has something to say in all those theme-heavy monologues
The Incredible Light Shining Through Holy Frit By Elijah Beahm • November 4th, 2024 Holy Frit is a story of creativity, courage, and learning fast on your feet.
Personal Items Work Best: Oddity (2024) By Orrin Grey • October 31st, 2024 Oddity is an extremely slow burn, though it keeps elements of eeriness and dread close at hand.
Feature Story Thoughts for Sale By Oluwatayo Adewole • October 23rd, 2024 I have been struck by how much the prison and the suburb serve the same purpose.
The Devil’s Disguises By Ryan Wagahoff • October 15th, 2024 To bring The Devil into the picture is to inflict a rigid structure on the work.
A Dismal Tide: The Rover’s Neo-Western Nature By Wyeth Leslie • October 9th, 2024 The Rover’s version of the West is as wounded as Eric and Rey, from the abandoned mines to the weather-worn outposts.
Who Deserves the Future? By Jonathan Fenn • October 4th, 2024 Kingdom of the Planet of the Apes highlights the lack of conviction from which post-apocalyptic stories often suffer, in their insistence in constantly refocusing on humanity’s story.
You Can’t Escape from Yourself: The Substance (2024) By Orrin Grey • October 3rd, 2024 One of my pet peeves in modern horror films is when the central premise works only as metaphor, not as actual text.
Exploits Feature Horror and Human Frailty By Michael Caruso • October 1st, 2024 Accept the reality of your mortality, for better or for worse.
