I Played It, Like, Twice... Offensive Stereotypes: Monster Mayhem Rises from the Crypt… But Maybe Shouldn’t By Orrin Grey • September 30th, 2022 Despite its cartoony demeanor, Monster Mayhem is no different from White Wolf’s RPGs, and its approach is… not exactly sensitive, even for 2007.
Today’s a Good Day to Die: Reliving the Past with Flatliners (1990) By Orrin Grey • August 9th, 2022 It’s no surprise that Schumacher made the campiest of Batman movies, because there’s an extravagance to the production design here that would have been right at home in Burton’s Gotham City.
I Played It, Like, Twice... Fragged!: Translating DOOM to the Tabletop via a Somewhat Unlikely Route By Orrin Grey • July 26th, 2022 Despite the box art and the demonic miniatures, DOOM is fundamentally an action game that isn’t particularly interested in horror.
Letter from the Editor Unwinnable Monthly – July 2022 By David Shimomura • July 17th, 2022 We ripped and tore and this is what was done.
Strange Things Happen There: Two Early Mexican Horrors By Orrin Grey • May 17th, 2022 A piece of history – not merely Mexican cinematic history, not merely horror history, but a broader snapshot of a period in time, and the changes that were happening around it.
I Played It, Like, Twice... We Did Warn You: Playing Horrified 2 During [checks notes] Still a Pandemic By Orrin Grey • May 5th, 2022 The good news is, most of the winning formula that made its predecessor tick is reproduced nicely here.
I Played It, Like, Twice... They’re Coming Out of the Goddamn Walls: Reliving a Moment with Space Hulk By Orrin Grey • February 28th, 2022 It is difficult, for me at least, to separate the game itself from that dream, solidified by glossy magazine photos of massive Space Hulk boards set up.
A Dangerous Dream: Revisiting Mill of the Stone Women (1960) on Blu-ray By Orrin Grey • December 23rd, 2021 “Trouble began with a woman…”
Alien Post-Mortem By Stu Horvath and John McGuire • December 13th, 2021 Who survived? What was left of them? Well, that would be telling.