Noah's Beat Box The Strangling Fruit By Noah Springer • October 31st, 2025 Grass grew, I mowed. Weeds sprouted, I pulled. Mosquitos multiplied, I swatted. And all that time, life pulsed.
What a Way to Live: Gary Sherman’s Eegah, aka Death Line (1972) By Orrin Grey • October 27th, 2025 The cannibalism angle is played up in the alternate title, Raw Meat.
Feature Story In The End, It Always Comes Back to the Old House By J.M. Henson • October 23rd, 2025 No matter how far we wander, we always come back to that house, in the same way that in my restless dreams, I too revert to the embrace of my childhood home.
The Spectacle of Suffering By Zonghang Zhou • September 29th, 2025 Across the screen, pain is spectacle.
The White Vault: Enter A Ruthless Blizzard Where Mystery And Horror Collide By Kevin Capon Goldszmidt • August 14th, 2025 A slow burn that unravels the mysteries of its universe.
Here Be Monsters The Global Haunted House: Horror and Communal Experience By Emma Kostopolus • August 5th, 2025 Horror media can serve as a great equalizer, showing us that we’re all ultimately afraid of the same things.
Here Be Monsters Feeding the Cartoon Gators: Cult of the Lamb and Moral Disengagement By Emma Kostopolus • May 30th, 2025 Everybody has some angry, sad, anxious and ultimately violent shit they want to work out.
What’s A Gun For? By Wallace Truesdale • May 6th, 2025 Guns bring violence, and violence is frightfully unpredictable.
Funeral Rites No Magic, No Gods: Infinite Worlds & Infinite Horrors By Emma Kostopolus • April 29th, 2025 “Create stories. Create art. Create music. Anything and everything you create yourself has value and the more of it exists, the better off we all are.”
I Want More Historical Horror By J.M. Henson • April 9th, 2025 We cannot lose sight of the fact that our shared past is directly connected to our shared fears.
