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Funeral Rites
A black-and-white ink drawing of a badass-looking angel holding a wicked cool sword.

The Tower, The Fool, The Meatgrinder

By Noah Springer • April 23rd, 2024

“His Majesty the Worm is very focused on megadungeon-crawling, and I wanted players to have this sense that surviving the dangers means something.”

Star Trek: The Role Playing Game

By Stu Horvath and John McGuire • April 22nd, 2024

Set phasers to stun!

A screenshot from Alone in the Dark 2024, featuring a rainy street at night, with two lamps and a click with a street sign that says Dercator

Rebuilding Derceto with Alone in the Dark’s Developers

By Elijah Beahm • April 18th, 2024

“In the horror genre, it’s key to make everything feel grounded in the world you’re creating. How all details must feel as a natural part of the environment, no object is there purely by accident; it has its own story to tell.”

Feature Excerpt
A portrait of Alan Wake looking tortured, red branch-like markings scattered across the dark image.

It’s Not a Loop, It’s a Spiral

By Autumn Wright • April 18th, 2024

Maybe Alan Wake is like me. Maybe I’m like Alan. Trying to write my way out. Maybe the writing is just incidental to this compulsion, something we’re drawn to.

Letter from the Editor

Unwinnable Monthly – April 2024

By David Shimomura • April 16th, 2024

Blake’s back. Autumn is here for Spring.

Get in the Van

By Stu Horvath and John McGuire • April 15th, 2024

Road trip!

A screenshot of Emily is Away

Turn of the Zillennial

By Perry Gottschalk • April 12th, 2024

This is the real lesson of Emily is Away and the series as a whole. It isn’t a statement that over time, friendships fade. It’s that the experiences you have with them are vastly more personal than who you were at the time.

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