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Key art for The Last Ranger with the title text on the left with a blue line and star and a black woman with close cropped hair and a read face mask and blue military fatiques standing in front of a graffitied and torn mkap that looks like the stars and stripes

The Last Ranger Divides America For Very Unclear Reasons

By Elijah Beahm • January 24th, 2025

That’s not heroism, it’s the day in the life of a smuggler.

Feature Excerpt
A dark-haired woman with a long ponytail holds a camera and gazes upwards at the tall buildings surrounding her.

Johnny Quest for Grown Ups

By Elijah Beahm • January 3rd, 2025

Shutter is, was, and always will be about how the story ends – and why that’s beautiful.

Exploits Feature

The Most Diverse Fascists You’ll Ever Meet

By Elijah Beahm • September 3rd, 2024

Let’s have more women spaceprison guards, too, while we’re at it.

Exploits Feature

The Rise of Miles Morales

By Latonya Pennington • August 1st, 2024

A superhero can be a powerful role model to look up to.

The Heavy Pour
A drawing of the Stay-Puft Marshmallow Man doing his signature cry-face from the climax of the movie Ghostbusters.

The Doctor Is In

By Sara Clemens • July 12th, 2024

Who you gonna call?

The Guest
A still from Guillermo del Toro's The Shape of Water shows the main character underwater with a humanoid yet amphibious creature, the two of them totally about to make out.

Monsterfucking

By Amanda Hudgins • July 5th, 2024

Monsterfucking is about showing a mirror to the monstrosity within – both in terms of society and in terms of the relationships between the parties involved.

Past Presence
A screenshot from Katamari Damacy shows a gigantic ball of detritus in a field of green, a rainbow stretching across the blue sky. A cow and her calf graze nearby, incuriously.

Killing the Dragon

By Dr. Emily Price • July 3rd, 2024

Both Dungeon Meshi and the Katamari franchise ask you to zoom in and look closely, keep your eyes peeled for small details, and never forget them even when they’re a speck on the surface of a massive star.

A collage of images from The Cloven with the title in distressed type in the middle. Someone with short hair and no clothing is running through trees and red light, a hand is displayed, legs jumping, a face smiling in the dark, all drawn with brushstrokes to indicate action

Hoofing It With The Cloven’s Garth Stein and Matthew Southworth

By Elijah Beahm • May 30th, 2024

“Telling a story is all about a dialog between the presenter and the audience, right? The reader and the writer and and the readers trying to figure it out.”

Casting Deep Meteo
A shirtless Patrick Swayze practices his fightin' moves in a still from Road House.

Road House Ronin

By Levi Rubeck • March 12th, 2024

Miyamoto Usagi and Dalton’s stories aren’t totally parallel, but they rhyme in a lot of ways.

Screenshot from the trailer for Swamp Thing, where a swamp is covered in dry ice fog as the titular Swamp Thing carries a scantily-clad Barbeau through the moist forest

A Plant for the 21st Century: Swamp Thing (1982) on 4K from MVD

By Orrin Grey • August 18th, 2023

Swamp Thing takes a lot more swings at being “crowd-pleasing” than anything Wes Craven had worked on in the past.

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