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Unwinnable Monthly

Dino Rex

By Corey Milne • November 1st, 2016

“Dino Rex is more than just a silly homage. It acts as…a time capsule from back in the distant past of 1992. When we saw dinosaurs quite differently from today.”

Revving The Engine: Perception

By Stu Horvath • October 31st, 2016

Stu Horvath talks with Irrational Games vet Bill Gardner about his new project, Perception, a first person game that follows a blind woman into a horrific mystery.

Monster Issue – Theme Recap

By Team Unwinnable • October 28th, 2016

Sink your fangs into excerpts from all the theme stories in the Unwinnable Monsters issue.

Life in the Monster Squad

By Orrin Grey • October 27th, 2016

Orrin Grey joined The Monster Squad as a kid and life’s never been the same since.

They Could be Monsters, For All You Know

By Livia Llewellyn • October 25th, 2016

Scores of neighborhood children circle an object on their bikes in the late afternoon sun, chanting as they pelt it with rocks and sticks. When they scatter and dart past you, their grins seem impossibly thin and wide. Were those extra teeth?

Viva Belgrado

By Mitchell Bowman • October 13th, 2016

“For as long as I can remember, it’s been a running joke that every good screamo band has to break up after a single album.”

Hate to Lose, Love to Win

By Andrea Ayres • October 11th, 2016

“Our feelings about loss and failure tend to become more complicated when we begin to add in identity and social inclusion (or exclusion).”

Backlog

The Sand and the Sea

By Gavin Craig • October 10th, 2016

Giant Squid’s founder, Matt Nava, was art director for 2012’s Journey, and it’s clear that Abzû is an attempt to create a similar sort experiential parable.

Rookie of the Year

If You Want to View Paradise

By Matt Marrone • October 10th, 2016

“In high school, I wrote a musical.” Matt Marrone recalls a glorious time and pays tribute to Gene Wilder.

Brief Encounter

By Adam Boffa • October 9th, 2016

If Brief Encounter does hold up, it’s probably because stories of love found at the wrong place and time are uniquely heartbreaking.

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