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Unwinnable Monthly

Rookie of the Year

The Half-Baked Book Review: 1Q84

By Matt Marrone • April 12th, 2019

Matt Marrone had a brilliant idea for a series: Reviews of half-read books. Written for parents of small children.

Checkpoint

Observations of the Void

By Corey Milne • April 11th, 2019

Corey Milne recently made it to the center of Elite Dangerous’ galaxy, and it’s smooth sailing. Well, other than that whole nasty business with the black hole…

Collision Detection

Ace Combat 7 Wants the Context of War Without its Baggage

By Ben Sailer • April 10th, 2019

Even in an arcade game like Ace Combat 7, borrowing from real-world war narratives makes the whole “escapism” thing…awkward.

This Mortal Coyle

Drea

By Deirdre Coyle • April 8th, 2019

For someone who constantly jokes about dying, the chance to date a ghost carries its own morbid comfort.

Here's the Thing

What the Resident Evil 2 Remake Got Wrong

By Rob Rich • April 6th, 2019

The recent remake of Resident Evil 2 is fantastic, but Rob feels like its biggest fumble is being ignored.

The Burnt Offering

Metal is My Church

By Stu Horvath • April 4th, 2019

Stu Horvath ponders the alchemy behind taste as he reconsiders a “cheeseball” artist from his nascent metal education.

The Usurper

Noteworthy Metal – March

By Astrid Budgor • April 3rd, 2019

Astrid Budgor’s got a whole slew of albums for fans this month, including an oldie but a goodie you can still find on vinyl.

Backlog

Whose Apocalypse?

By Gavin Craig • April 2nd, 2019

While wandering through Far Cry: New Dawn’s unplausible dystopia, Gavin Craig sees it as just one ending in a cycle as old as time.

Another Look

Alone at the End of the World

By Yussef Cole • April 1st, 2019

Why developers continue to make post-apocalyptic games is well studied. Yussef Cole instead examines why players like himself love returning to their ruined worlds.

Feature Excerpt

Donut County and the Boisterous History of White Guilt

By Jason Dafnis • March 26th, 2019

The quirky indie game makes a statement on gentrification, capitalism, and – in the raccoon BK’s character – the weaponization of racial guilt.

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