Letter from the Editor Unwinnable Monthly – February 2025 By David Shimomura • February 20th, 2025 Hell is empty and the devils are all here.
Here's the Thing On Bump and Bias By Rob Rich • February 19th, 2025 Countless examples of “don’t judge a book by its cover” exist in media, but Rob wants to zero in on Principal Bump from The Owl House.
Forms in Light Politics in the Ruins By Justin Reeve • February 18th, 2025 Indiana Jones and the Great Circle is a story about the power of history and the responsibility that comes with uncovering the past.
Always Autumn Estelle and Blue sit and watch the young go by; or, The Final Communion By Autumn Wright • February 14th, 2025 There is a dam that will bury a religion. But now a girl is riding a bicycle over its crest, and she will write a poem about how the wind felt against her cheeks.
Casting Deep Meteo Confronting Angelic Horrors with Community and Eldritch Automata By Levi Rubeck • February 13th, 2025 Death is constantly on call, and the best pilots know when to step away in order to manage their relationships, which are just as vital as any payload.
Totally Generic Nightbitch By Natasha Ochshorn • February 12th, 2025 The whole fantasy element could be excised neatly from the film without it feeling much different, which is a worrisomely blasé way to come out of a film where someone turns into a dog at night.
Area of Effect Language Roots By Jay Castello • February 11th, 2025 Chants of Sennaar’s world is pieced together from bits of ours that make our understanding of it slot together piece by piece.
Rookie of the Year Unwinnable’s Coverage of the Worldwide Video Arcade Championships is VERY Late (Sorry!) By Matt Marrone • February 7th, 2025 “This movie is cool because it’s in the ’80s.”
Interlinked Rhythm of Stillness By Phoenix Simms • February 6th, 2025 There’s a poetic quality to having deliberate pauses within a game world.
Here Be Monsters The Fable of Myhouse.wad, or: Why We Should All Be Scared of ChatGPT By Emma Kostopolus • February 5th, 2025 Every time someone uses text or art generated by an LLM, they have allowed the AI to make decisions about the final composition.
