Feature Excerpt Lost in Translation By Aidan Moher • November 18th, 2022 The Sega Saturn is one of the best JRPG consoles of all time…just not in the west.
Open World Subjective Analysis of Modern Warfare 2019’s Objectivity in One Scene By Edward Smith • November 14th, 2022 Call of Duty: Modern Warfare can be sold to people who want something potentially “hard-hitting”, but also sold to people desiring the opposite.
Here's the Thing The Monster in My Belly By Rob Rich • November 14th, 2022 Rob talks about the unpleasant stomach troubles he’s had to deal with for the past several years, all thanks to some bad seafood.
Forms in Light Monstrous Architecture By Justin Reeve • November 11th, 2022 Neoclassicism never actually had any positive connotations and became increasingly sinister over time, going from somewhat dodgy to entirely despicable.
Exploits Feature Les Femmes Grotesques By Noah Springer • November 10th, 2022 Victoria Dalpe’s newest collection of horror shorts offers up visions of the weird and the terrifying that will linger in your head long after you’re done reading.
Always Autumn There are Decapitations By Autumn Wright • November 10th, 2022 Too Many Cooks is at once an absurdist comedy sketch and a critical cautionary tale, full of pastiche referents like “relics of a time that we long for but shouldn’t return to.”
Casting Deep Meteo Barry Windsor-Smith’s Taxonomy of Monsters By Levi Rubeck • November 9th, 2022 Barry Windsor-Smith is a veteran of superhero comics, and as such, knows that you can’t title a book Monsters without a menagerie of such.
Area of Effect Contested Landscapes By Jay Castello • November 8th, 2022 Horror is perhaps the genre where contested space is most easily found lurking.
Another Look Evil in Residence By Yussef Cole • November 7th, 2022 Resident Evil is a Hellraiser puzzle box; an invitation to partake, to play along, only to realize (too late) that the controller itself is a portal through which the game itself can reach out and draw its horrifying tithe.
