Eyeing Elsewhere On Monsters and Ourselves By Phillip Russell • October 25th, 2022 Hell in the Hellraiser universe reflects back to others what they struggle with the most. It’s a fluid space that changes as our own sense of self does.
The Beat Box Aliens and Monsters By Noah Springer • October 24th, 2022 Aliens and monsters both have roots in the history of pop music, but it’s hip hop in which the two are combined most effectively, specifically in the work of Kool Keith and MF DOOM.
The Enchanted World By Stu Horvath and John McGuire • October 24th, 2022 “These are the books that let you fly along with the unlucky spirits condemned to haunt the world of the living.”
Revving the Engine Mind the Gap By Caroline Delbert • October 22nd, 2022 In The Gap, you play as neuroscientist Joshua Hayes, who is suffering from a degenerative genetic disease. Caroline speaks with the developers.
Feature Story Monstrous By David Shimomura • October 22nd, 2022 Monsters, necessarily, cannot be “bad.” Instead, like many horrors, the true monsters are dark reflections of our anxieties and stresses.
Feature Story Dimensions By Caroline Delbert • October 21st, 2022 With enough narrative room, you become the monster.
Transpersonal “There has never been anything smaller than me”: Agent Black, Iconoclasts and the Necessity of Grief By Aster Shen • October 21st, 2022 Agent Black cannot let go – she literally cannot let go – of the rocket that symbolizes a potential that will never be realised.
Feature Story Whose Body Horror Is It, Anyway? By Ruth Cassidy • October 21st, 2022 A look at body horror, the just world fallacy, and lungs that turn into glass.
Feature Excerpt Monsters Built by Human Hands By Hyacinth Nil • October 20th, 2022 A close reading of Lakeview Hotel.
Feature Excerpt Stop/Motion By Orrin Grey • October 20th, 2022 Ray Harryhausen and the magic of stop motion monsters.
