Friction Burns Returning to Rhythm in A Highland Song By Ruth Cassidy • February 7th, 2024 There’s a lot to learn from falling down mountains.
Mind Palaces Mostly Normal People By Maddi Chilton • February 7th, 2024 In the past few years of weird and superficial social media-based media criticism, a character’s relatability (or, used not synonymously but often close to it, likability) is shorthand for how successful they are within their text.
This Mortal Coyle Goth Femmes of Elden Ring By Deirdre Coyle • February 6th, 2024 Ranking Elden Ring’s goth femmes from “least” to “most” goth.
Ninja City: Drug Demon Disco By Stu Horvath and John McGuire • February 5th, 2024 Grab your shuriken, paisans!
I Played It, Like, Twice Death is Not the End: How to Win and Die Trying in Doomseeker By Orrin Grey • February 2nd, 2024 This is a game where it actually does pay to die, if you can do it when you mean to.
Self-Insert Mary Sue By Amanda Hudgins • February 2nd, 2024 She is you, a teenager who is stuck in a small town with no friends, with cruel acquaintances who don’t love any of the things that you do, who has been told for years that boys bully you because they like you.
Exploits Feature Is it Alt to Like Call of Duty These Days? By Elijah Beahm • February 1st, 2024 Somehow, some Call of Duty games seem to have slipped out of the mainstream…
Past Presence Romanticize Your Life! By Dr. Emily Price • January 31st, 2024 If these things are the glue that makes real “mundane” life less boring, they are hollow pleasures.
Beyond Structures Clockenflap 2023 Day 2: Atarashii Gakko!, Omnipotent Youth Society and more By Khee Hoon Chan • January 30th, 2024 After grabbing an exorbitant hotdog from the festival grounds, which I paid around USD25 for, I continued on to some of the day two acts.
Run It Back Sex and Cinema By Oluwatayo Adewole • January 30th, 2024 At the same time as a quasi-accepting era which brings us more art focused on marginalized people, a soft Hayes Code re-emerges, allowing for the clean lines of queerness but not the smudges.
