Interlinked Grounding The Games Industry By Phoenix Simms • September 29th, 2023 Games, despite all their innovative trappings, are trash. To be more specific – games can create a lot of socioeconomic trash.
Interlinked Squall is Extradimensional By Phoenix Simms • September 8th, 2023 When Laguna knew Squall and his allies were there but felt they were like faeries hovering in the ether unseen, wasn’t that what early encounters on forums and instant chat services felt like?
Interlinked Uprooting Time By Phoenix Simms • August 4th, 2023 Déraciné is an interesting rumination on what makes game narratives convincing, but it’s also a game that effectively communicates EcoGothic fears of being at the mercy of nature.
Interlinked Mythology of the Commons By Phoenix Simms • June 2nd, 2023 While there isn’t necessarily an overtly intersectional EcoGothic tone to Folklore, it does deal with bodies irrevocably changed by nature, binaries and transformed bodies.
Interlinked Less Punk and More Funk By Phoenix Simms • May 5th, 2023 What would a character like Daisy Fitzroy have been capable of if her script in Bioshock Infinite were handled by an African American writer with a Steamfunk sensibility?
Interlinked Rolling Up By Phoenix Simms • April 6th, 2023 We Love Katamari and the series it’s a part of is about the alchemy of persistence at its core. You take what’s available to you and turn it into a star.
Interlinked What We Make From the Ruins By Phoenix Simms • March 8th, 2023 Phoenix chats with the lead game narrative designer of The Archipelago about writing a game that explores both the political and personal.
Interlinked The Triple Goddess Effect By Phoenix Simms • February 2nd, 2023 Like Hades protagonist Zagreus, Melinoë is also connected to an Orphic hymn, this time one that sings of her as a “saffron veil’d” nymph that inspires both night terrors and madness in people.
Interlinked Gremlin Girl Energy By Phoenix Simms • January 5th, 2023 Greta is both a problem and a potential solution to that problem, but when read under a more feminist-revisionist lens, she’s charmingly camp, she’s a 90s icon and she’s absolutely that bitch.
Interlinked The Prince of Hades Laughs with a Mouthful of Blood By Phoenix Simms • December 8th, 2022 Zagreus is definitely a liminal figure trapped in a purgatorial space – and this metaphor extends to the entire setting of Hades.