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Casting Deep Meteo

A black and white image of an open book.

Tables for Days

By Levi Rubeck • October 17th, 2017

The internet is the cow’s stomach, all us users the swirling sea of bacteria and acids breaking down and reconstituting the itinerant parts of language

A black clad stormtrooper, flanked by Darth Maul and Rey.

Just Another TIE in the Death Star

By Levi Rubeck • October 10th, 2017

The massive laser-based Battlefront II experience is not unlike kindergarten soccer.

A sweaty man in a black shirt singing into a mic and being carried by a crowd. This is a still from Touche Amore.

Symbiosis of the Troubadour and the Crowd

By Levi Rubeck • October 5th, 2017

But Nick Cave and Touché Amoré have earned their fans through honest expressions, powerful storytelling, a willingness to embrace the stains of humanity in order to shine light on our virtues.

A rich painting of a sort of bacchanal near orgy, a man in a tie and little else having his nipples painted by a thinner man who holds him aloft, a woman shielding his nudity from view. Around him rest similar older white men in states of undress, their colors rich and resplendent. This is the album cover for Veterans of Pleasure.

Aren’t You Glad to Be An American?

By Levi Rubeck • September 26th, 2017

A light shone on the gout-riddled veterans of pleasure above and a tribute to the mad oracles living in a Lovecraftian nightmare of our own making below.

A womans torso, in blue, on a pink background. She is holding a bat with bright orange gloves and midway along the bottom of the image it has "Parental Advisory Explicit Content"

Choir of the Mind, ASMR of the Soul

By Levi Rubeck • September 19th, 2017

Playlists, mixes, links IM’d by friends, auto-plays based on cookies, and radio, each a tributary spiraling out in serpentines towards and through the larger rivers of our shared musical canon.

Red faced, Winston from Overwatch screams at the camera.

Deathmatch: The Definition of Frustration

By Levi Rubeck • September 12th, 2017

These are just games, and I’m being a little dramatic. But it’s worth considering what we allow the media we enjoy to wring out of us—the catharsis of great pathos or joy from a safe distance.

A carnival like atmosphere with a sketch of a man upside down in a water tub, framed by two people. This is the cover for Ted Leo's the Hanged Man.

Helping Ted Leo Help Himself

By Levi Rubeck • September 5th, 2017

Perhaps I took Ted for granted, assuming he’d always tear through town again either on the festival footpath or in an Allston living room.

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