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Recommendations

a mans face made of leaves and branches. This is a detail shot of the cover art from Emily Tesh's Silver in the Wood.

genre fiction by people who aren’t cis white dudes

By Amanda Hudgins • November 25th, 2020

Every few years there’s a push for people to read more books by writers who are not white or writers who are not male or writers who are not cis-gendered or Western.

Try Reading...

Coven Edition

By Harry Rabinowitz • November 13th, 2020

Witchy comic recommendations for our resident hexers.

World Tour

Indonesia

By Oluwatayo Adewole • October 23rd, 2020

That’s why Gone With the Wind is/was revered and why we’re inundated with period pieces that refuse to meaningfully interrogate the class/colonial violence that this splendor is built upon.

The Beat Box

Noteworthy Hip Hop – October 2020

By Noah Springer • October 21st, 2020

Last year, I was overwhelmed by all the quality drops over the full season, and this year, September 25 seemed to mark the beginning of the season with an amazing selection of releases I just can’t do justice.

World Tour

Finding the poetry in The Burial of Kojo

By Oluwatayo Adewole • September 24th, 2020

An existential wail, followed by a look at Ghanaian film The Burial of Kojo.

The Beat Box

Noteworthy Hip Hop – September 2020

By Noah Springer • September 23rd, 2020

In honor of the new old Tony Hawk game, we’ve got hip hop to grind to.

World Tour

England

By Oluwatayo Adewole • September 4th, 2020

Oluwatayo starts his tour on his home turf of England with the film Bait and the latest album from Charmpit.

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Descending Into Yourself

By Harry Rabinowitz • September 2nd, 2020

Iasmin Omar Ata has published a hard and honest debut novel tackling epilepsy, isolation and illness

The Beat Box

Noteworthy Hip Hop – August 2020

By Noah Springer • September 1st, 2020

“We’re still in quarantine, and I’m still listening to beats and rhymes.”

Try Reading...

The Movement Marches On

By Harry Rabinowitz • August 6th, 2020

Now and then, the privileged and the powerful imply that the “right way” to protest is not to protest at all. John Lewis stands against that.

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