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Liminal Horror

By Stu Horvath and John McGuire • February 6th, 2023

Bring a flame thrower.

Exploits Feature
In a screenshot from The Witcher 3, Geralt of Rivia – Ravix of Fourhorn, the Butcher of Blaviken, the White Wolf – grins and give a thumbs up.

The Beauty of Backlog

By Connor Queen • February 3rd, 2023

Speak to most gamers, and they’ll probably tell you the same thing: Backlogs are annoying.

Exploits Feature

Biking the Beat

By Autumn Wright • February 1st, 2023

“After biking some 2,000 miles in the city last year, my memories of my new home are tied to rides and their soundtracks.”

Cairn

By Stu Horvath and John McGuire • January 30th, 2023

Part two of our series on ultra-light RPGs, this one mashes up Into the Odd and Knave!

The title card for Invaders for Mars, featuring the text of the title over some planets and stars

Dreams & Nightmares: Invaders from Mars (1953) Painstakingly Restored on 4K

By Orrin Grey • January 26th, 2023

Ignite Films has planted their flag as a company to watch for what their own logline calls “classics for the future.”

Feature Excerpt

Hideo Kojima Hates You

By Emma Kostopolus • January 23rd, 2023

A study in difficulty scaling.

Into the Odd

By Stu Horvath and John McGuire • January 23rd, 2023

Ultra-lite RPGs in the vein of D&D, part one of three!

Feature Excerpt

Time Loop of Trauma

By Alma Roda-Gil • January 20th, 2023

There is no catharsis to be had at the end of Returnal’s time loop. It becomes clear, as the player finishes the story, that it will keep going.

Letter from the Editor

Unwinnable Monthly – January 2023

By David Shimomura • January 19th, 2023

Welcome to 2023!

A still from the trailer of Children Shouldn't Play with Dead Things, where the three young adults are dressed in their 70s weirdo finest, in front of some wood paneled walls, caressing a corpse and laughing at their hijinks

It’s a Boneyard: Revisiting Children Shouldn’t Play with Dead Things (1972) on 4K

By Orrin Grey • January 19th, 2023

Children Shouldn’t Play with Dead Things is a fairly accurate portrait of what macabre weirdos like us got up to – or imagined ourselves getting up to – in the days before we had the internet to distract us.

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