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A screenshot from the trailer for Red Rooms featuring an all white courtroom with multiple screens showing the faces of three female victims, as well as a judge, lawyers, and a jury

I Want to Ask Your Forgiveness for What I Will Inflict on You: Red Rooms (2023) and the Abjection of Obsession

By Orrin Grey • November 26th, 2024

How much difference is there, after all, between watching a murder take place, and reconstructing that same murder through your favorite true crime series, book, or podcast?

Feature Excerpt

Believe Me, I Haven’t Got a Choice: Max Rockatansky’s Bisexual Apocalypse

By Maddi Chilton • November 26th, 2024

We return to Max Rockatansky, who wanders in and out of traditional pasts and transgressive futures, part of both but choosing neither.

Ballads of Oræd

By Stu Horvath and John McGuire • November 25th, 2024

Whimsical, but also dangerous.

Letter from the Editor

Unwinnable Monthly – November 2024

By David Shimomura • November 21st, 2024

The nights sure are getting longer, huh! Have a magazine!

Rick Meints Interview

By Stu Horvath and John McGuire • November 18th, 2024

Talkin’ ’bout collecting.

A screenshot from the trailer for Maxxxine with the title of the movie front and center in a commanding sans-serif typeface

Maybe They Should Save Themselves: Maxxxine (2024) as Middle Finger

By Orrin Grey • November 6th, 2024

I think that Maxxxine really believes that it has something to say in all those theme-heavy monologues

INTERMEDIARY MUND

By Stu Horvath and John McGuire • November 4th, 2024

MUND MUND MUND!

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