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Author: Ruth Cassidy

Feature Story
Artwork from the videogame Sunless Skies shows a small Victorian-styled spacefaring vessel approaching a massive circular space station, giving the appearance the smaller ship is about to be swallowed whole.

Whose Body Horror Is It, Anyway?

By Ruth Cassidy • October 21st, 2022

A look at body horror, the just world fallacy, and lungs that turn into glass.

Friction Burns
A house with a tin roof built on top of horizontal oil drums sits in a warehouse that is also a museum, a single light illuminating an old man asking questions of the residents on the porch

Finding The On-Ramp To Route Zero

By Ruth Cassidy • September 26th, 2022

Kentucky Route Zero carries its own ghosts of its critical legacy. How do I get past that?

Friction Burns
The primary teenage exocolonist stands to the left with some holographic cards floating from their hand as they stare at the viewer, and the rest of the gang poses in the background in a variety of stylish and skin-baring outfits

I Was A Teenage Exocolonist: Let’s Do The Time Warp Again(?)

By Ruth Cassidy • September 14th, 2022

Consequences matter when you decide, but sometimes death is useful.

Friction Burns
Screenshot of Signs of the Sojourner with a shadowy anthropomorphized animal on the left and a smiling young person on the right, with cards held and played in between

There’s Two Sides To The Story in Signs of the Sojourner

By Ruth Cassidy • August 29th, 2022

There’s a truth at its heart of Signs of the Sojourner’s conversational card games: you cannot prepare the perfect conversation.

Friction Burns
Banner for Wholesome Direct 2022, featuring a pair of cartoon cats sitting on a stump and staring into a starry neon sky, with planets and game consoles floating about

Wholesome Games, and the Context Collapse of Branding Culture

By Ruth Cassidy • August 10th, 2022

Whether they meant to or not, Wholesome Games have staked unique ground, so their choices invite criticism about what is and is not included. 

Friction Burns
Title screen for Queer Man Peering into a Rock Pool dot jpeg, with some stylized waves crashing around a thin beach with a man scampering along

Shifting Tides and Dynamics in Queer Man Peering Into A Rock Pool.Jpg

By Ruth Cassidy • July 29th, 2022

Like the changing tides, and the pitching skies, the perspective in Queer Man Peering Into A Rock Pool.jpg shifts.

Friction Burns
Headshot of a young woman with short hair and glasses looking pensively at the camera with a autumnal backdrop

Life Is Strange: Artificial Colors

By Ruth Cassidy • July 13th, 2022

Characters’ quirks and quips are endearing, but they never feel like more than the LARP versions of themselves: there to give information or resources, or be acted upon.

Friction Burns
Two images from the game Card Shark, once where a play holds a hand of playing cards, and another with a man pouring wine into a glass, suspiciously

In Card Shark, The Devil Finds Work For Busy Hands

By Ruth Cassidy • June 16th, 2022

The easiest mark is one distracted by believing they’re getting one over on someone else.

Friction Burns
The cover for Citizen Sleeper, featuring the robot Sleeper looking over a space station washed in starlight and some vehicles flying around

Conversation In The Ruins Of Interplanetary Capitalism

By Ruth Cassidy • June 3rd, 2022

An interview with Gareth Damian Martin about Citizen Sleeper, and its bodies

Friction Burns
A screenshot from the game NORCO showing a tree of connected, or disconnected, relationships

NORCO Is A Connected Web Of Estrangement

By Ruth Cassidy • May 12th, 2022

The desire for connection and rejection of it shapes the core family in a web, but it plays out across the story’s politics too.

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