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Author: Orrin Grey

Feature Excerpt
In a still from Jason and the Argonauts, three armed skeletons are lined up ready for battle.

Stop/Motion

By Orrin Grey • October 20th, 2022

Ray Harryhausen and the magic of stop motion monsters.

I Played It, Like, Twice...
Crop of the cover of Monster Mayhem, a painting featuring your classic mosters like Sexy Ghost, Necktie Werewolf, Dog Collar Dracula, Too Many Teeth Mummy, and Jock Zombie

Offensive Stereotypes: Monster Mayhem Rises from the Crypt… But Maybe Shouldn’t

By Orrin Grey • September 30th, 2022

Despite its cartoony demeanor, Monster Mayhem is no different from White Wolf’s RPGs, and its approach is… not exactly sensitive, even for 2007.

I Played It, Like, Twice...
A crop of the cover of the original Rivet Wars, with a logo that appears to have been cut out of a tank's walls and

Getting in the Fight: Rivet Wars of Old and New

By Orrin Grey • September 9th, 2022

This is a steampunk setting with walking tanks. That’s the big selling point here.

A mop-haired Robin Hood places a golden apple atop Maid Marian's head, presumably to shoot off with an arrow. She does not look pleased

The More the Merrier: Two Robin Hoods from Hammer Films

By Orrin Grey • August 30th, 2022

Robin Hood pictures were once big business.

A stoic cop in a suit and sunglasses is walking stoically through some stoic traffic

Lunatic Meets Lunatic: Two Good-Natured Caper Films from Hong Kong Director Johnnie To

By Orrin Grey • August 17th, 2022

A pair of surprisingly lightweight and amiable caper flicks in the vein of more recent thriller confections such as 2013’s Now You See Me.

I Played It, Like, Twice...
The eponymous leaders in the game Hidden Leaders: Axe Guy, Bowl Cut, Mace and Braids, Requisite Grizzled Soldier, Ponytail Thief, and Tired Druid

I Guess No One’s Coming: The Art and Arithmetic of Hidden Leaders

By Orrin Grey • August 15th, 2022

Hidden Leaders is one of those games that is deceptively basic but can grow strangely complex as you play.

Keifer Sutherland is sidding criss-cross-apple-sauce in a room with high arched windows and afternoon yellow light with a lone lamp for company

Today’s a Good Day to Die: Reliving the Past with Flatliners (1990)

By Orrin Grey • August 9th, 2022

It’s no surprise that Schumacher made the campiest of Batman movies, because there’s an extravagance to the production design here that would have been right at home in Burton’s Gotham City.

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